Raised as a baroque organist through seminary; escaped to play those great Canadian organs sprinkled around northern RI canuck parishes as a teen (weddings and funerals), then bought my first big 'ole Boston upright piana as a young adult, finally getting serious with my current Steinway B 4 years ago. So now I've migrated away from Bach and Buxtehude towards Brahms, beethoven and Schubert, with a dabbling of straight jazz. So I continuously marvel at how my "B" sounds different EVERY day because of temperature/humidity conditions: that "magic octave" in the low treble moves like a barn swallow...no wonder the Steinway techs call it the "money octave"...they live off the frequent voicings the golden ears demand!
Life could be MUCH worse! Cheers to music-making. (PS I can't dance!)