GOLDARAK,
thank you for being a true linguist I love that stuff really.
I do have to add another component to part one of your defintion. It should IMHO include using much of their income disposable or indisposable on part 2 of your definition.
Audia- I have calmed down but it took me 5 years to finally put together a system which I love everytime I use it. It was a compulsive task all because I knew how far off the mark it was from the real thing. I would add though and echo the belief that no music reproduction set up ever sounds like live music. My wife and I buy season tickets the Philadelphia Philharmonic she played violin as a semi pro and was a child prodigy. She couldn't care what it is played on. The pieces are so ingrained in her "aural" whatever that it sounds to her like the concerts she played in a practised mind numbing times.
As for the descriptions . There is no technical guide book it really requires listening with an audiogroup as I do, comparing what one person means by musical compared with others and then my own experience. BTW I find that term used too often to represent sound that isn't harsh, unfortunately if it is used without reference to high defition space etc. leaves you with dull almost low quality sound . If want to stir the pot. BBut warm is easy to recognize cold should not represent a challenge airy etc.
I taught wine tasting if you think this jargon is silly listen to what wine reviewers use. Just keep slogging away through the murk.
Finally you are right an absolute outrage is occuring with regard to how people listen to music. They are turning away from playing out loud. I don't believe you can even start to really enjoy all of what reproduced music can do without playing it outside of your body. That is the way it was made in the first place.
thank you for being a true linguist I love that stuff really.
I do have to add another component to part one of your defintion. It should IMHO include using much of their income disposable or indisposable on part 2 of your definition.
Audia- I have calmed down but it took me 5 years to finally put together a system which I love everytime I use it. It was a compulsive task all because I knew how far off the mark it was from the real thing. I would add though and echo the belief that no music reproduction set up ever sounds like live music. My wife and I buy season tickets the Philadelphia Philharmonic she played violin as a semi pro and was a child prodigy. She couldn't care what it is played on. The pieces are so ingrained in her "aural" whatever that it sounds to her like the concerts she played in a practised mind numbing times.
As for the descriptions . There is no technical guide book it really requires listening with an audiogroup as I do, comparing what one person means by musical compared with others and then my own experience. BTW I find that term used too often to represent sound that isn't harsh, unfortunately if it is used without reference to high defition space etc. leaves you with dull almost low quality sound . If want to stir the pot. BBut warm is easy to recognize cold should not represent a challenge airy etc.
I taught wine tasting if you think this jargon is silly listen to what wine reviewers use. Just keep slogging away through the murk.
Finally you are right an absolute outrage is occuring with regard to how people listen to music. They are turning away from playing out loud. I don't believe you can even start to really enjoy all of what reproduced music can do without playing it outside of your body. That is the way it was made in the first place.