Tvad - You are right of course, I forgot about the high-res media.
Cj - Your experience is what I think is supposed to happen w/supertweeters. The ultrasonic frequencies they reproduce aren't supposed to be heard by themselves, but by their interaction with other frequencies. The best analogy is if you play the same note on 2 guitar strings that are slightly out of tune, you will hear a low frequency wavering. This is called a beat frequency by acoustic engineers (and has nothing to do with the beat of the music). The supertweeters are supposed to produce audible results by modulating the rest of the frequency spectrum. In order to do this, though, they must be fed a signal that represents the ultrasonic content of the original musical event. This is not possible with Redbook, but is with hi-res and probably vinyl
Cj - Your experience is what I think is supposed to happen w/supertweeters. The ultrasonic frequencies they reproduce aren't supposed to be heard by themselves, but by their interaction with other frequencies. The best analogy is if you play the same note on 2 guitar strings that are slightly out of tune, you will hear a low frequency wavering. This is called a beat frequency by acoustic engineers (and has nothing to do with the beat of the music). The supertweeters are supposed to produce audible results by modulating the rest of the frequency spectrum. In order to do this, though, they must be fed a signal that represents the ultrasonic content of the original musical event. This is not possible with Redbook, but is with hi-res and probably vinyl

