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Used Market Savings vs. The Dealer Experience

Hi all,
I’ve asked a couple questions on these forums and have always gotten great advice, so I’m coming back to the well. My fundamental question is: how do you reconcile (or balance) the auditioning value a dealer provides vs the absolute dollar value you get from buying on the used market?

I bought a McIntosh MA252 recently, and it’s so great it’s convinced me to commit and invest in a serious hi-fi system. I’d drop $30k for something that put my jaw on the floor. Right now I’m running Goldenear Triton 2s, a Marantz TT-15 TT for analog, Mytek Brooklyn + Bluesound Node 2i for digital, and just replaced a Marantz PM-8005 with the Mc. Silnote cables all around. The Mc gave me my first taste of actual holographic imaging and sound you could reach out and touch. Now I want more of that, as well as greater/faster/more pronounced dynamic shifts.

I have a dealer nearby that’s been a joy to work with (bought the Tritons and Mc there). They let me listen to their 200k Wilson setup with D’Agostino amps and sweet little baby Jesus -- it was like trying to box a feral animal in the complete darkness. Lashes of sound just came out of nowhere, smacked you upside the head, and were gone. I was dumbstruck. The Sonus Faber Olympica IIIs, by comparison, were a smoother, more musical sound signature but far less of that arresting clarity.

I make this point because, had I not been allowed to audition this gear, I would have had no idea about any of that. In doing my due diligence to shop for a setup, I know I want to hear Focal Sopras, Olympica IIIs again, Goldenear T-Refs AND maybe a Wilson Sasha for good measure. I want to hear Mc separates, ARC separates, Rega TTs, Linn TTs, etc. To me, my dealer provides real value in auditioning, optimizing, and being confident that what I’m buying is what I like best.

Unfortunately, with new vs. gently used prices, the $ cost of that experience is massive -- $10k+ quite literally. On the used market now I can get Olympica IIIs for $7k instead of $13.5k, a Rega RP10 w/ Aphelion for $6.5k instead of $9ish, Mc C1100 + MC275 for $13k instead of $20k, and a pair of Sasha’s at $15k is within striking distance. New? They’re $30k. I also live in a high sales tax (10.1%) area, which doesn’t help anything.

For those with more purchasing experience, or even dealing experience, how do you square the value of auditioning gear with the exorbitant relative cost of then foregoing the used market? I feel definite guilt sucking my dealer’s resources to then just go buy it all online. That’s bad business, and if everyone did it, there would be no dealers, and heck, no new gear being made.

Is there a better way to do this?

Thanks,
Ben
bfjones01
rsf507
405 posts
 
I get 20% off and even more depending on how much I buy. If you pay list look elsewhere.
oddiofyl's avatar
oddiofyl
1,076 posts
 
Spearit sound was the best ... I miss those guys.   
tomic601's avatar
tomic601
2,164 posts
 
the answer is both
establish a relationship, great dealers remember you, your system, musical likes, maybe have heard gear in your room setting up speakers, know the wine you like because you give them a bottle at Thanksgiving....oh well, getting ahead of, or perhaps behind myself...ha

Never use them to demo gear, for example I have yet to hear a Triplaner at my local dealer, so I don’t feel bad buying one used. The Bardo, I have heard and they will get my business on that as well as the HRS base.

Great dealer can save you a lot of tail chasing also...

have fun !!!! you already have a very musical system bringing much joy !!!!!
big_greg
315 posts
 
I do both. 

I buy used gear from other enthusiasts, usually at about 50% of the new price.  Overall my experience doing that has been good, but there have been a couple of incidents where I got ripped off or something wasn't as advertised.  I usually get to audition the gear in a more realistic setting closer to my home environment than the dealer's acoustically treated showroom.  If it turns out I don't like it or I upgrade, I can usually sell it for what I paid for it or close. 

I like having the option to try new and different things in my systems.  Of course some dealers will let you try things so you can see how they sound in your system.

I buy some new gear directly from the dealer.  Sometimes in person, sometimes online.  The ones I work with have liberal return policies for the most part.  The biggest plus of doing this is being able to speak to the dealer and pick their brains about how a piece will work with my other components.  I've been talked out of purchases that I thought were a good idea more than once.  I treasure those types of relationships and will go there first at every opportunity.

I buy some used gear (trade-ins, floor models, consignments, old stock, etc.) from dealers.  I've been able to get some great deals that way and often they'll come with some sort of warranty, sometimes even a full warranty.  There are a number of dealers that sell new gear, but also do a brisk business in used equipment.

Sometimes a dealer doesn't have exactly what I'm looking for within my budget and the best option is the used market. 

I don't abuse dealers by going in for a listening session and then buying somewhere else for less.

I understand the reasons for buying new and working with a dealer and those are some of the considerations I make when I make a purchase, but I don't limit myself to one specific way of enjoying this hobby.
seanheis1
359 posts
 
This thread is really about your guilt. Using the dealer's showroom as a discovery tool and then doing something like buying Sasha's used for 15k instead of 30k.

If I were in your shoes, I might buy the Sasha's used for 15k and then go back to the dealer and buy very expensive speaker cables. That way you save money and your salesperson and the dealership are treated with a much smaller sale, but one with a much higher profit margin/sales commission.   


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