Vinyl ratings for audiophiles

I wouldn't throw away those old albums just yet. My experience, with wide access to multiple pressings of the same record, is that the correct early pressing often has a vivid presentation that is lost in later audiophile remasters. Yes, a new piece of vinyl can have quiet surfaces (not always), may be more readily available than an older pressing and often has lots of 'detail,' but in many cases, the sonics are just 'flat' and lifeless compared to the right early pressing. I know I'm speaking in general terms, and there are exceptions- some of the new MoFi records can be very good. But, if you are willlng to do the research (much of which can be gleaned online, from sources like Steve Hoffman's site for pop and hard rock), you will be able to identify older records that sound pretty remarkable. The trick is then to find pristine copies. There are also 'work-arounds' to the most notable pressings- ones which use the same metal parts but aren't as costly as the first pressings or uber collectible ones. For jazz, some of the real collectible stuff is now priced at crazy levels and you can do fine with reissues from music matters and analogue productions. Just to sum up, my point is not to assume that a new reissue or remaster will sound better than the old record; in my experience the opposite has proven true.

Steve Hoffman Forum is a superb resource on vinyl pressings. The community there is very knowledgeable and can speak to how well recorded an LP is, as well as which versions to seek out and, just as important, which to avoid (a tip: Learn to spot a Scorpio and avoid them!).

As reissues can run $20-45 plus depending on lp...I don't see a lot of worth repurchasing something unless its a quantum leap in performance...now granted...I listen to mainly late 70s early 80s rock...era right before digital...and the pinnacle of 24 track analogue recording...Eagles, Fleetwood Mac, Ac/dc, Queen, Dire Straits, Rush, Van Halen, etc all made records during this heyday which stand the test of time...also master tapes...if even available...tend to degrade 35 years later.

Phase- In some ways, the more primitive the recording equipment the better the sound: the material just leaps out of the grooves without a hint of stridency. Some examples: the very first pressings of Alice Cooper's Love it to Death on the pink Straight label have an immediacy that is lost on even the earliest Warner green label pressings that are maybe 6 months later.
The first pressings of Neil Young's Harvest, with the textured cover- has an intimacy that is lost on all the remasters I have heard, although the Chris Bellman recut is very good and has quieter surfaces.
All of those wonderful UK Vertigos- I came to that party a little late, and yes they are now pricey, but the self-titled May Blitz album is a deadly combination of biting psychedelic guitars that have harmonic overtones and the overall record has enormous punch.
Early pressings of Three Dog Night's album with the song 'One' (if you can find a pressing that doesn't have the hype sticker, all the better). Crazy good sound on a record that probably costs 15 bucks for a M- copy on E-bay.
The 'RL' cut of LZII is no secret and fetches big money, but it has a freight train delivery on many tracks.
Janis Ian's Between the Lines- standard issue Columbia pressing -a 15 or 20 dollar record, used, sounds much more vivid than the Boxstar reissue.
Early (Shelter) pressings of the Phoebe Snow record are also fantastic sounding.
The Green label pressings of several early Van Morrison records- extremely good, not terribly pricey.
With the exception of the 'RL' Zep and the Vertigos, none of these are big money. I could go on, but most of these are pretty thoroughly discussed elsewhere on the web. (However, nobody was onto that pink label pressing of the Alice Cooper record as far as I could tell- I bought my first copy largely because I wanted an early pressing and didn't appreciate how much better it was than the Green Label copies until I started to compare them- so now, I have about a dozen copies, all early, including a WLP of the pink Straight label pressing).
I don't necessarily buy 'by label' but I've now managed to fill in a lot of my early hard rock/pysch records with early UK Harvest, Island pink label and more Vertigos than I'd care to admit. All of these were pressed in the late 60's and early 70's.
FWIW, out of the many pressings of Dark Side that I have, the best to my ears is UK A3/B3.
And I sold a UHQR of Tea for the Tillerman that I bought new, back in the day, after buying an old Island pink that simply sounded more like real music.

Here is a quick guide...if MObile fidelity bothered to put out an audiophile LP or CD of one of your favorites....chances are it is a quality recording to begin with...that could be replaced down the road ...or may not need replacing at all. They have an archive section on their website.