What do audiophiles want from a cable?


What should a high quality interconnect or speaker cable do to the sound of a system? Make it more transparent? Improve the sound stage and focus? Soften unpleasant highs? Tighten the base? Bring out the mids?

To me, a good cable should reveal more of what is on the recording and more of the true nature of my components. So when trying new cables, I look for more detail and accuracy without becoming cold and clinical. This seems logical, and yet after reading reviews and trying a few of the cables in the reviews, I find that the cables that have received glowing endorsements are not especially transparent or revealing. They modify the sound, but they don’t take me where I want to go. I wonder if the reason I don’t hear what the reviewer heard is that I don’t know what to listen for. Am I too focused on cable accuracy and resolution, and not enough on actual sound quality? Or is it just a case of no two systems sounding alike so why trust a review anyway? Thanks.
mward
+1 for inna  Cables Are components and should be up to the quality of the components they are connecting.  jmcgrogan2  +1  Your comment above is also correct.  I don't think there is a cable that is totally neutral.  


Audiophiles want cables to solve all their perceived system shortcomings and transport them to the perfect anechoic listening room where everything sounds exactly as a live performance.

Fortunately, for cable manufacturers, audiophiles are a determined lot that continually buy new cables in pursuit of this neverending quest.
mitch2
Audiophiles want cables to solve all their perceived system shortcomings and transport them to the perfect anechoic listening room where everything sounds exactly as a live performance.

Fortunately, for cable manufacturers, audiophiles are a determined lot that continually buy new cables in pursuit of this neverending quest.
Speak for yourself, please.

In past threads Atmasphere has offered what I consider to be persuasive proof that in the case of analog interconnects the components being connected can be designed in a manner that will result in any reasonably well designed and inexpensive balanced cable having no sonic artifacts. In other words, in completely neutral behavior. Unfortunately few audiophile-oriented components are designed in that manner, although some approach it to varying degrees.

See the first of his posts dated 3-22-2013 in this thread for a description of the design requirements for the components being connected that are necessary to make that happen, and also for what I consider to be compelling proof of his contention. Also see the follow-up questions I submitted on 3-27-2013, and his response.

Regards,
-- Al

1. properly advertised with LOUD words of how it improves performance
2. beautiful skin and shiny connectors
3. beautiful walnut case is a big plus