Tvad, Shadorne, Albertporter, you guys have made my arguments much clearer than I did, and I appreciate it. Once again, I am glad that I decided to become a professional musician instead of writer. You guys both make great points, Newbee as well.
Oh, and by the way, Kijanki, just to clarify, I am not the sort of "music teacher" you so disparage. I play full time in a major professional orchestra, and am blessed to play almost every day in one of the great concert halls this country has to offer. I do teach on the side, both privately and at a major university. I have also been interested in high end audio ever since my college days, and know a little about recording, though more from the acoustical rather than technical standpoint.
Speaking of ears again, Mapman brings up an interesting point about the human ear hearing above 20000Hz. Recent research has actually proven that the brain IS sensitive to these extremely high frequencies, it just doesn't process them the same way, so we don't "hear" the actual pitch of those tones. One of the very biggest differences between digital and analog, and why digital sounds like it has something missing to many of us, is that digital processing deliberately cuts out these supposedly inaudible frequencies. Engineers have claimed so far that we won't miss what we can't hear, but it has finally been proven that this is simply not the case - the human ear is most definitely more sensitive to sound than any machine yet invented. So I continue to urge everyone to use their ears and not rely on some engineer's specs - the better your ears become, the more enjoyment you will receive from your music, no matter what type it is, or what form it shows up in, or what type of equipment you are using.
Oh, and by the way, Kijanki, just to clarify, I am not the sort of "music teacher" you so disparage. I play full time in a major professional orchestra, and am blessed to play almost every day in one of the great concert halls this country has to offer. I do teach on the side, both privately and at a major university. I have also been interested in high end audio ever since my college days, and know a little about recording, though more from the acoustical rather than technical standpoint.
Speaking of ears again, Mapman brings up an interesting point about the human ear hearing above 20000Hz. Recent research has actually proven that the brain IS sensitive to these extremely high frequencies, it just doesn't process them the same way, so we don't "hear" the actual pitch of those tones. One of the very biggest differences between digital and analog, and why digital sounds like it has something missing to many of us, is that digital processing deliberately cuts out these supposedly inaudible frequencies. Engineers have claimed so far that we won't miss what we can't hear, but it has finally been proven that this is simply not the case - the human ear is most definitely more sensitive to sound than any machine yet invented. So I continue to urge everyone to use their ears and not rely on some engineer's specs - the better your ears become, the more enjoyment you will receive from your music, no matter what type it is, or what form it shows up in, or what type of equipment you are using.