Pani ... New ART-9 up and running ...


The Cartridge arrived and I took it down to Studio City to Acoustic Image to have Eliot Midwood set it up properly. Eliot is the bomb when it comes to setting up the Well Tempered turn tables correctly.

http://www.acousticimage.com/

So, last night I had Mr. Golden Ears over to get his assessment as well. For a brand new cartridge that had zero hours on it ... all I can say is WOW! This is one naturally musical cartridge that doesn't break the bank. Its everything I liked about the OC9-mk III, but it goes far beyond the OC-9 in every respect.

In a previous post, I talked about the many mono records I own and how good the OC-9 was with the monos. Well, the ART-9 is on steroids. Just amazing on mono recordings.

At under $1100.00 from LP Tunes, its a bargain. The ART-9 surpasses all cartridges I've had in the system before. That would include Dynavectors, Benz, Grado Signatures and a Lyra Clavis that I dearly loved. In fact, its more musically correct than the Clavis. The Clavis was the champ at reproducing the piano correctly ... the ART-9 is equally as good in this area.

Sound stage, depth of image, left to right all there. Highs ... crystalline. Mids ... female and male voices are dead on. Transparency ... see through. Dynamics ... Wow! Low noise floor ... black. Mono records ... who needs stereo?

Your assessment that the ART-9 doesn't draw attention to itself is dead on. You just don't think about the cartridge at all. Not what its doing, or what its not doing ... its just beautiful music filling the room.

Thanks again Pani for the recommendation. I'll keep posting here as the cartridge continues to break in.
128x128oregonpapa
I`m wondering about the ART 7 and whether it might actually a better cartridge than the 9.
I know that companies will many times price according to demand and logically there would be more buyers for that cartridge as opposed to buyers of a low output cartridge like the ART 7 at only .12mV ??

I`m using a Dyna 17D3 and really like it but I`m seriously considering an ART 7 OR 9 if I`m convinced that`s the way to go.
I've had my ART 9 since last Tuesday. Obviously not broken in yet as I have probably about 20 hours on it. But I can say with certainty, in my system, my room, my ears. etc., the ART 9 is better than the Dynavector 17D3 already. I'm listening to it thru my Herron VTPH-2 phonstage with "infinite" loading as Keith Herron calls it. As a matter of fact I think it's better than the Lyra Delos too in that the ART 9 seems more balanced top to bottom versus the slight bloominess that the Delos posesses.

The ART 9 is only gonna get better too as it runs in more. I'm a happy camper right now and I cannot wait to compare it to my VDH Colibri XGP (at 3 times the cost) fter I get it back from Mr. VDH.

As per one of the senior designers at Audio Technica, the ART7 aimed for classical music. It is a little more transparent and micro-detailed than ART9 but the ART9 sounds bigger, more powerful with realistic bass which works very well for Jazz, Rock, Blues and Pop.

In any case the ART7 needs a matching step-up transformer to get the right gain. No active phonostage (in my knowledge) will do justice to 0.1mv (even if the specs might suggest otherwise). These very low output carts are designed with SUTs in mind. Take for example the Benz Ebony TR. It is the best Benz cartridge (better than LP-S) but it is not easy to amplify satisfactorily. IMO, the ART9 is a much more rational everyday cartridge which is not below the ART7.
Man 'O man, the AT guys are coming out of the woodwork. That's great!

While I listen to a lot of classical, I'm not centered in on any particular type of music. Jazz and blues was always my favorites when I was a kid ... but the beauty of this hobby is ... if you truly are a music lover, is the way the hobby expands your musical taste. I can listen to Charlie McCoy blast away on his country & western harmonica all day. He's amazing. But, then there is Mr. Perfection on the classical guitar .. John Williams. Tonight, I was listening to a Cannonball Adderley/Bill Evans album ... georgous. Oh ... and living in SoCal, I love really soulful Mexican music too.

So far, the ART-9 is fitting the bill even though its not nearly broken in. The other AT cartridges such as the 7 and the Anniversary are too low of an output for my phono stage ... the ARC-PH8. Ideally, the PH8 needs a cartridge with an output between .4mv and .8mv.

Pani ...

I never used to be a ballet fan but two things changed me on that issue. First the audio hobby introduced me to ballet music ... so I bought a few DVDs of certain Ballets. I couldn't believe the grace, strength and beauty created by these human beings through dance. Secondly, I have two daughters and a granddaughter and three grandsons who are very athletic ... even competing at the collegiate level. Same for myself as a younger man. So ... I've grown to really appreciate what it takes to perform at the level of ballet. Just a side note and for the football fans out there ... The great end, Jerry Rice, who played for the 49ers, was avid about his ballet training using it to enhance his football prowess. Anyone who remembers Jerry Rice and his playing can relate. He performed ballet in the end zone ... except the sportscasters called pulling down passes. *lol*

Thanks for all of the input. Its really enjoyable to compare all of your experiences with the same cartridge I'm using. More updates to follow.

Happy listening, guys ... and maybe a gal or two.