Do you play?


I listened to a great recording tonight(miles davis live around the world) and it brought me back to when I played in a band. Yes in my youth that was the thing to do. I grew up in NYC and everybody I knew either sang or played something. This I believe lead me to obtain the best possible gear I could afford to recreate the music I once played. Mind you I'm no Miles Davis-not close- but one can rememeber and wonder. How about you-did you play and if so how has it effected your recreation of music in your home?
south43
I play the piano. I've been playing for nearly 30 years and still do. Not only am I an audiophile, I'm also equally as picky about the instrument and the way it sounds. While I agree Hifiharv to some extent, not all of us can play like Glen Gould (I certainly can't). I also can't play the trumpet at all (never even tried), but love listening to Miles Davis. I need a really good system to hear how he is playing--how much air, how much pressure--how does he make the trumpet do that?? I also love vocals--but I can't sing to save my life. A great system that really recreates the human voice accurately is really a pleasure to listen to. Mark Levinson actually considers himself a musician first and an audiophile and equipment designer second. So for some musicians listening to the notes without the nuances that a high end system can provide is very satisifying. For me, it isn't. I want to hear everything. Not just the note that Glen Gould played, but all the harmonics right down to the lifting and setting of the dampers to his unusual humming in the background--to me that is the whole performance--far more satisfying on a high end rig.
I sing in a professional choir. I rarely go as a listener to a choral music concert. I usually only listen to recordings of choral music as a way to familiarize myself with the music. I also attend a lot of live concerts other than choral. This does not stop me from wanting great audio equipment. Where I feel I differ from most audiophiles, is I care almost entirely and exclusively how good the performance is. I could care less how good a recording sounds, if the performance is not as good as some other recording. I have good equipment because I want the recordings I do love to sound the best possible.
After working for about 20 years as a semi-professional drummer (mostly rock/pop), and "retired" about ten years ago, I still love music and have assembled a system which gets me as close as possible to recreating the emotion of a live event. My musical tastes have eveloved quite a bit from my playing days, I listen to jazz and classical mostly, rarely to rock - although rock/pop is the only thing I will listen to in my car. I still value the performance over sound, but, find that when listening at home, a poorly recorded piece gets too much in the way for me to really enjoy the music. Perhaps that is why I have gravitated away from listening to rock at home since great-sounding recordings are too rare. This same music on a less resolving system, however, (like in the car) can be very enjoyable. BTW - I feel that you can't generalize on the musician/audiophile issue. I know other musicians who are avid audiophiles and others who are perfectly happy listening via any means possible. I also know a number of audiophiles who are so much into the equipment that they would listen to anything (junk included) as long as it made their system sound good. Just my thoughts.
I got my college degree in music composition, and I do quite a bit of composing. I play a little bit of violin, piano and guitar--all quite poorly. I really got into hi-fi because of my schooling. I find that when one is listening to music for enjoyment AND to learn about composition and orchestration, there's so much more to learn and enjoy from a true hi-fi system. The audiophiles that I know tend to be both musicians and technophiles. I think that there's a dual obsession with both music and state-of-the-art technology in these folks. I know that I've always been that way.