Getting rid of harsh, shrill treble


I cannot play my classical cd's at a volume where the midrange and bass come through without harsh, shrill treble, especially the violins. I have bookshelf speakers on stands and subwoofer in a small 120 sq. ft. room. I have no treble control on my pre-amp. I tried a Taddeo passive Digital Antidote II between my CD player and pre-amp with minimal result. I have a solid state integrated amp, will switching to a tube integrated amp cure this problem or is it my speakers?
classical_fred
Tvad,
In another thread these speakers were recommended to me. I have not purchased them yet, but am auditioning them for 120 days to hear if I like them. So far so good.
Tvad,
I have a Sunfire Super Junior sub placed between and slightly to the right of the Ohm's. I can't tell you how warm these speakers are getting as they break in. It is an incredible deep three dimensional soundstage, with plenty of bass, and warm non-harsh treble. You have to understand I have a 13'L x 13'W x 8'H listening room. This sound is the case, even on my very old CD's such as EMI label, Otto Klemperer discs of Wagner Overtures, Brahms Symphonies, etc. Archiv, with Reinhard Goebel and Musica Antiqua Koln used to be so harsh in treble I had to turn the volume way below realistic levels. I agree with Jb0194 that my CD's are the problem, but with different speakers and a tube integrated amp I have solved at least 50% of the problem. I had what is known as the magnesium midrange/bass cone ringing problem. If you don't believe me just Google "Magnesium cone ringing" and you will see. Many people, not all, experience this with both Jamo and B & W bookshelf loudspeakers. The Ohm Walsh talls use a polymer coated midrange/bass cone and tweeter. B&W uses an aluminum tweeter and Jamo uses a magnesium midrange/bass cone, making for harsh/shrill treble. I must admit that the Ohm's are not as detailed as my Jamo's or B&W's were. This is especially true on complicated orchestral passages where the entire orchestra is playing; but the deep three dimensional sound stage, liquid midrange, and warm treble are what I enjoy listening. My 26 year old son, a physics undergrad major, and masters in computer science and engineering says I am out of my mind and that I imagine a difference in the sound, however, I hear it loud and clear. I have forgotten my equipment now and am enjoying my music collection. The only equipment I still might replace are my speaker cables (I need an 8' run for each). What in your opinion is a "warm" speaker cable brand I might look into?
You hear what you hear, and I'm certain we all believe you hear a difference.

The lack of detail you mention is disconcerting, but I wonder if this is a product of break-in and might change significantly over time.

I am not a good source for warm sounding cables, but pressed to offer a suggestion, I'd mention Cardas Golden Cross (the warmest wire I have heard), Audience AU24 (terrific wire, if not as extended at the extremes as some others), and Purist Audio Venustas (these would be my first choice, cost no object, but they are not as warm as Cardas).