Beolab 5 - Four Questionable Technologies


I'm looking to buy a high-end speaker system and have become enamored by the Beolab 5 Powered Speakers by B&O.

In their literature the tout 4 technologies that set them apart.
I am not an audiophile (yet) but wonder what those with more experience think about these four ideas.

1. An Acoustic Lens technology
This means a much wider dispersion of high frequencies. Supposedly this makes sweet spot for listening is much larger. This means you can sit in different places or move around and still have optimal sound.

2. Adaptive Bass Control
This uses a microphone in each speaker to calibrate the low frequency interaction with the room. This permits a wider range of speaker placement. For example, one could be near a wall, or one could be near a corner and this would compensate.

3. Digital Signal Processing
Being all digital, each speaker is calibrated (tweaked) before leaving Denmark to match a reference speaker. This is not possible with analog systems. It assures a that all of the speakers sound the same, a sort of quality control.

4. Digital Amplification
Each of the speakers has four digital amps; one for each driver. Somehow, by being digital Class D amps they can be smaller and run cooler than other amps. That allows them to put 4 powerful amps insider the very confined space of the speaker enclosure. The high power allows peak sound levels of 115 to 120 dB.

Thoughts and comments on any of these four technologies would be appreciated.

And, if you have heard these speakers, do you think they are for real.
hdomke
specifically the use of acoustic lenses to achieve omni-directional dispersion, has actually been around for a while and is a proven concept (see Hegeman / Morrison, Walcott, Duevel).

Oxia,

Thanks for the info, I would add MBL to that list. I am not against omnidirectional and from my understanding most omnidirectional designs would not create the flanging effect (one signal delayed with respect to another).

you ought to listen first and then let your ears decide.

I agree fully but it does not hurt to be an informed buyer about the possibility of audible colorations. Sorry if I offended anyone.
Hdomke,

There is a store locally - I will see if If they have them. Please understand that flanging can be pleasant sounding and it is done on many recordings. George Martin of the Beatles fame found that you could achieve this by messing around with tape recorders and adding a slight delay to one tape recorder to produce "thicker sounding vocals". So this effect is inevitably on many pop recordings. Also microphone height from a reflective wooden floor will have some influence too. So it is more than likely a pleasant coloration that gives more openness or spaciousness to the sound. That this issue will occur seems inevitable to me given that you can physically see the dome drivers sticking up out of the bottom frizbee in the photographs taken at what would approximate a listening position with respect to the speaker...it seems inevitable that some sound will go directly from the driver to the listener whilst the majority of the sound is intended to reflect off the lens above.
Shadrone, interesting speculation, but you need to listen to the speakers. In theory many, many speakers don't work (metal dome tweeters, full range drivers, ported bass alignments, etc.), but that never stopped manufacturers from making excellent sounding designs with the flawed technology.
I listened to the Beolab 5 today. It was in the local B&O store. They were setup in a special listening room (also set up for 7.1). A bit square in shape and with glass on two sides and with no acoustic treatment - so not an ideal set up - although ceilings were high (good) and as with all B&O decor and industrial design everything was modern but impeccable and tasteful.

The B&O rep was very knowledgeable and clearly understood the physics of the speaker although he said the drivers were made by B&O (however I am not sure of this as IMHO is looks very much like the Vifa 3" Dome Midrange D75MX-41-08 or at least it is indistinguishable from this 3" vifa dome).

I listened to mostly "Brothers in Arms", Dire Straits and a few demo disks as well as some DVD's.

Observations:
Excellent articulate bass (it definitely does not need a sub) and they can play fairly loud cleanly. As I had feared, there is some "flanging" in the upper mid range and treble giving an airy or atmospheric quality to the sound with the imaging not nearly as precise as it is on my home system. Vocalists were still centered but not perfectly tangible so that you could say the singer was there in the room standing between the speakers. As has been reported by others, the sound field is very even in a horizontal plane around the room - you could move around and it sounded much the same, however, there is a significant difference between the seated and the standing presentation (I was sitting 10 feet back with the speakers 8 feet apart near the corners of the small room). You need to be seated at the correct height to enjoy these speakers. I also perceived something missing in the lower mid range. It seems the lower mid is covered by a forward facing 6" driver and somehow (to my ears) there was a dip somewhere between 400 and 1 Khz ; perhaps this 6" driver was not as dispersive as the dome mid or I detected a crossover issue. Overall the sound was similar to Ribbons except that you had serious high quality bass, placement was much easier ( no problem 2 feet from a wall) and that the sweetspot was way larger than you find for ribbons.

Nevertheless for some $23,000, this is an expensive speaker and as far as I am concerned the ATC SCM 100ASL is a much better speaker. Personally I would also prefer similar priced Wilsons over this speaker but I am not keen on "atmospheric"or "airy" sound - I much prefer precision. So that is just my taste.
Shadorne, excellent post! Do you now understand why I referred to it earlier as a high end lifestyle product? It's certainly not cheap, but for the money you get a lot of product (speakers, amps, EQ and digital conversion) in what some consider an attractive package.