Clearthink, there is NO argument in opposition to what I’m saying except from those who’re simply uninformed. The post by mmeysarosh two posts prior to your last further makes my point. Maybe I didn’t iterate it eloquently enough to start or something. I don’t see Michael really disagreeing. A few others clearly see my point.
>>>>Actually, mmeysarosh wasn’t making your point at all. What he said, among other things, is you have to deal with the acoustics of a room - one room at a time. As I have oft said with respect to speaker set up, trial and error by listening a little, moving a little does not work the best. The best way to optimize the sound - especially SOUNDSTAGE - is by obtaining correct speaker placement with a Test CD that has a speaker set-up track, like the XLO Test CD. This method ensures ideal speaker placement for *the given room* - at that point in time - and will ensure the best soundstage for that particular room for however it’s configured AT THAT TIME. NOTE - This method requires using your ears. You don’t measure anything.
But whatever soundstage is achievable at that point in time CAN BE IMPROVED by further improvements to room acoustics, using better electronics, better cables, better topology, contact enhancers, fuses, the whole nine yards. There is NO END to how good the soundstage (relative to the original recording venue space) can get it requires a lot of effort. I never promised you a rose garden. 🌹 🌹 🌹Having heard a great many advanced systems I think I can say without fear of contradiction many people believe they have conquered Everest or almost conquered it but in reality they have not yet reached Base Camp, which is only half way up the mountain. 🏔

