Great bass from a linear tracking arm?


Is great bass and full, rich, mid-bass/upper-bass 'presence' possible from a linear tracking arm?

Is one brand better than the others in this regard:
Airtangent, Kuzma, Walker, ET, Cartridgeman, Forsell, Rockport, etc.?

Is it all just a matter of cartridge selection?
I'm told that an ultra-light cartridge in combination with a light linear tracking arm will produce the best bass.
exlibris
I get fantastic bass on my ET2 and Celebration cart. Honestly I've heard some really top notch vinyl playback and when I get home I continue to be impressed with what I hear. If there is a bass shyness I've never been that aware of it and the positive attributes of a linear tracker certainly outweigh any of the negatives.
Raul, great to hear your on a new quest! However, a pivoted arm? I question as to how one can get the BEST playback from such a device. Don't get me wrong, they can sound great when properly setup but they just don't do what the linears do. I find my ET still stomps some of the "best" pivoted arms in existance. I am really sensetive to tracking error, a byproduct of every pivoted arm ever made.
I am always suprised to read about how people spend thousands on products that can only reach near perfection in two places within the groove. Arm makers have created longer arms to help alleiviate this problem but it still exists, simple physics.
Anyway sorry for the sidetracking of this thread.
Dear Alun: Tracking error on pivoted arms: I agree with you, but all over my audio experiences with linear tracking and pivoted tonearms told me that with the pivoted tonearms ( of course with properly setup. ) the trade-offs against the linear tracking own trade-offs are less intruder to the quality sound reproduction, example, for me the quality sound reproduction for the frequency extremes ( low/high ) is a must to have in the right way ( these subjects are the which ones that separate the good from the excellent ) and IMHO the pivoted tonearms are " truer " in the music sound reproduction than the linear tracking ones about. Yes the linear tracking ones are better in the whole soundstage subject but ( for me ) the other two subjects are more important than this one.

There are many other considerations about that we could discuss some other time, it is a very complex subject.

Alun, try to be optimistic about this new tonearm quest, I can asure you that that will be a unique design and when the time to test coming I will " see " if we really achieve our targets, if not then there will be not tonearm and we could start again.

Regards and enjoy the music.
Raul.
Sorry,Raul,but if you have ever heard an Air-Tangent(with modified pump/compressor)I believe you would change your last opinion,on the subject.This combo(the compressor MUST have alot of compression power,beyond the standard unit)absolutely will change the mind of the most jaded Pivot lover(I have a pivot,but my ears tell me something,sometimes).I am ONLY referring to an Air Tangent with this particular compressor,for this EXTREME level of performance.
I agree that setup is absolutely crucial for BOTH types of arm and pivoted can sound excellent. No disrespect towards your opinion and of course best wishes in your quest to create the ultimate. I always appreciate those who attempt to further the hobby by going out on a limb!

Cheers
Dear Sirspeedy: I believe you. This is my first time on the tonearm challenge.

Let me start with the pivoted one: and more important let me to have the finished item and that works like we want it. If we obtain our whole targets maybe ( through the time ) we could take the challenge on a linear tracking tonearm design: only God can say something about.

Regards and enjoy the music.
Raul.