How did you get into vinyl?


I’ll start with my story:
The roots probably go back to the mid to late 90's when I got into the retro cocktail thing. I started throwing old fashioned cocktail parties with Martinis and Hi Balls and Manhattans and spinning those Retro Lounge cocktail mix CDs with Luis Prima and Martin Denny and Si Zetner, etc.

I've always been a classic jazz fan (Coltrane, Davis, Rollins, etc.) and been into the music of the Rat Pack, so this just became an extension of that. I then started collecting CDs of the artists that were featured in the Retro Lounge collections, along with classic jazz, blues and vocalists. It was very rare for me to purchase, or listen to anything recorded since the 1970s, though I do have a pretty good collection of 80s and 90s rock, it’s just I haven’t been adding to it.
A few years ago my live-in girlfriend and I split up and I gave her the furniture and took the opportunity to completely redecorate the place the way I wanted to- mid century modern or, as I called it, space age bachelor pad. I bought a bubble chair, Naguchi tables, ball clocks, Eames era stuff, etc., etc.- I even got an old pinball machine and bar. I was truly living in the 50’s-60’s.

Last June, I was poking around a flea market in Hell’s Kitchen looking for retro stuff, and I saw a Voice of Music HiFi console from 1957 for $45. I bought it, not sure if it was working, but knew it would look cool in my place. When I got it home it worked perfectly. I had picked up some 50’s/60’s lounge type albums from a tag sale for a buck apiece, just for decorations, and when I got the record player home, I found that it worked and the records sounded very cool. Now the VOM was definitely not audiophile, but it was all tube and these records sounded very appropriately retro on it. That was it- I was hooked on vinyl!

I started collecting vinyl in thrift shops and on Ebay. I noticed the VOM lacked bass, mainly due to the small single speaker that it had. I then saw a bigger VOM console on Ebay that had a 12”, two 8” and two 4” speakers. I got it for $250, and it sounded much better. I have an audiophile digital system that includes an Audio Aero Prima SE CD and top of the line Paradigm speakers, so I knew the limitations of the VOM unit, but I found it was all I was listening to because of the things that many of us love vinyl for- the covers, the ritual of playing the albums, the warmth and musicality of vinyl and tubes. I then got to thinking how great it would be if I built a truly audiophile vinyl system with a good quality TT and tube phono stage and amp. I also want to dig into the VOM and upgrade some components, like the caps, and check the resisters (I already done tube rolling with Mullards and Telefunkens).

Fast forward to a few weeks ago when I got a VPI Aries 3, a BAT PK-5P phono stage, a Hagerman SUT, and a NOS Dynavector Karat 23R MC cart. I also got a VPI 16.5 RCM. In the meantime, I have accumulated several hundred LPs and remembered that I had a few hundred more albums that I had stashed away over 25 years ago! I plan to get a second tonearm wand for the 10.5i so I can put a mono cartridge on it.

I have now fully entered the insane world of vinyl, and could not be happier! Obviously, my taste in music (and all things retro) is perfect for vinyl. Besides the “Lounge” (sounds better than Easy Listening) LPs, I have purchased some essential 180-200 gram reissues- Kind of Blue, Time Out, Steely Dan’s Aja, etc., and have just subscribed to the Music Matters Blue Note 45 reissues. What I love about vinyl (in no particular order):
The ritual that goes with the playing (cleaning, turntable setup, constant tweaking)
-The covers
-The nostalgia factor
-The fact that I can play albums that I owned when I was in high school
-Shopping for LPs at used record stores, thrift shops, tag sales, and Ebay
-And most important- the sound!

Long live vinyl!
raylinds
Dave - Neither one. I started a long and fruitful career in Quality Management due to my attention to detail at RTI back in the 70's. Have worked in aerospace electronics, precision machining, etc. Semi-retired now at 51. Don't know if there is enough demand to launch more DD's... it would take something like a ressurection of Sheffield to pull it off. I know Doug Sax still runs The Mastering Lab...
Gaslover, Analogue Productions is the nearest in spirit to Sheffield that I see today. Unfortunately, their budgets seem much smaller, limiting their D2Ds to old timey blues artists. Well recorded, but not my favorite. I forget the German label that I just bought an extremely well recorded jazz trio on, but the music was great and the recording first rate.

I'm older than you, happily working as a consultant to financial institutions. I bought all my Sheffields new, back in the 1970s and 1980s, along with all the available Crystal Clears and a few odds and ends from other D2D producers.

Dave
In the early 80's, which was also the early days of cd's, I ran onto a little publication called "the absolute sound", which was big on vinyl and anti "digital" in every form. I sent an AR turntable to Memphis to have it modded by the Underground Sound, which was the subject of an article in A/S. I had that tt for quite awhile, lost it during a bunch of moves, and went back to cd's and had no intention of going to vinyl until I ran onto the vinylnirvana website. There was an AR AX for sale, complete with the now very well known George Merrill mods, the former owner of the now defunct Underground Sound. Dave at vinylnirvana helped me set it up with a Rega 250 tonearm and Ortofon 30 cartridge, and it sounds great. So now I'm back into vinyl! I had lost all my records, so I'm starting all over again, against the advice of some of the 80 plus postings I started with my plea to stop me from this insanity! I'm having fun, though, although vinyl is more expensive than I remembered...