Why are modern arms so ugly?


OK.......you're going to say it's subjective and you really looove the look of modern tonearms?
But the great tonearms of the Golden Age are genuinely beautiful in the way that most Ferraris are generally agreed to be beautiful.
Look at the Fidelity Research FR-64s and FR-66s? Look at the SAEC 308 series and the SAEC 407/23? Look at the Micro Seiki MA-505? Even the still audacious Dynavector DV-505/507?
But as an architect who's lifetime has revolved around aesthetics.......I am genuinely offended by the design of most modern arms. And don't give me the old chestnut....'Form follows Function' as a rational for ugliness. These current 'monsters' will never become 'Classics' no matter how many 'rave reviews' they might temporarily assemble.
128x128halcro
Agree, Al, arms have that precision instrument appearance.
I love the Dino 246 precedent of the 308.
And the '66 427 Cobra SC.
Sorry a little off topic.

Best,

Dave
Rockitman,
thought so too. when I was looking at the Continuum Cobra usually on images or at fairs I thought it is a funny creature. When you have installed this arm and you look on your turntable this arm has some powerful elegance. It is a design piece!

best & fun only
one of the simplest and most elegant designs is the SAEC WE 8000, and one of the best in musical affairs.

best & fun only
Form should follow design if function is the core.
The better tonearms (some not all...) of yesterday (make this "yesterday" 2-3 decades +) were designed by engineers.
Most of todays components in top flight audio is designed by dedicated audiophiles who evolved from customer to professional designer.
And there is nothing wrong about that.
But we see in many tonearms individual concepts of design which does not follow function but personal aesthetics.
This may appeal to some, but in most cases it is not form-follows-function in the original sense of the phrase.
But then - as mentioned before by others - "beauty" ( in industrial, mechanical designs ) is always and only in the eye of the beholder and rarely, if ever, finds universal praise.
The infamous WAF was no issue in tonearm design in the 1970s/80s.
Most of them were pretty raw industrial designs with little to no optical gimmick.
Hard to sell today.
Our society has changed.
The outlook is very important today.
Thus make-up and posing are more important to underline any given USP.
Dear Tobes, the Dynavector is the Lamborgini Countach in tonearm design. You'll find both in the museum of modern art. For good reason.