Active studio monitors. Nobody has them. Why?


I'm referring to mainly GENELEC studio monitors, the world leader in today's recording studios. I don't see anything here about them. Why?

They're good enough for 80 to 90 percent of the world's top/major studios yet not good enough for us audiophiles? Do recording engineers/musicians and audiophiles have THAT varying degree of tastes? Why do you think?

After all, these are what the artists and engineers choose to CREATE the music as a reference. I would think they'd want us to hear their artistic INTENT? So why the huge gap between the music creators and the listeners?

Please help answer this burning question.

Thank you.
quantumavman
A few reasons -- not an exhaustive list:
* Genelecs response curve designed for mastering, not for musical enjoyment
* Nearfield or sattelite application
* For full-range operation most models need equivalent, matching bass+low bass spkrs
* Active: many audiophiles prefer passive, most home spkrs sold are passive

Overall, "mastering" a recording is NOT identical to listening to the end product (i.e. the music s/ware we use at home). So the "tools" including speakers, are designed differently. For the sake of it, one exception may be the Griffin speakers (griffinspeaker.com).
Cheers
Don't forget, that as audiophiles, this is a hobby. One that we all like to explore. It's tough to switch out amplifiers when your speakers are active...
Many studios mix with B&W, Acoustic Energy, Celestion, ATC, and Roy at Green Mountain said that there's been a great studio demand for their Europa speakers, so I think it's a stretch to say 90% of studios master with genelecs.
Absolute Sound reviewed a pair of the more expensive (with ribbon tweeter if I remember correctly) Genelec speakers some time ago and thought they were wonderful. They too asked why such speakers are not used more often by audiophiles.