Why did you choose a horn based loudspeaker?

"Plus I find a horn loudspeakers to be interesting in design and in appearance."

Probably the main reason I would.

Full range high efficiency horns also tend to be relatively large though, which is their biggest barrier for most these days where space is often at a premium and other more compact good performing and readily available options exist as well I suspect.

I believe I can achieve similarly great if not exactly identical results with or without horns though. It's more about how one mixes the soup than any one particular ingredient, I have found.

I've never had a proper set of horn loudspeakers, but I've always wanted to. Back in the old days, I had friends and acquaintences that had VOTT or Klipschorns, and I always enjoyed hearing them.

I was introduced to Tannoys late 60's, and used them until late the 80's. After years with B&W and Dynaudio, I have gone back to Tannoy, so I could more readily use tubes and SET's.

This is the best I've had to date, Tannoy HPD 315's with an SET 300B amp. This has positioned me to be able to use a full-blown horn system, which I'd still like to try, but the HPD's are working exceptioally well for me.

My large listening room would be great with horns, but the Tannoys have a grip on my heart that may not go away.

Nice thread, enjoy and regards,
Dan

I did NOT choose horns. They all sounded unrealistic to me untill I heard Avangard ones at dealer each in separate room. Uno and Duo are hybrid horn with dynamic subwoofer and Trio is all horn. Fast and open sound with close to studio-mastering precision and clarity. Their looks are also subject for the exitement. Taken all so much of positives, nevertheless, I got tired of listening after 15...20min. During next couple of hours after listening I had ringing sound in my ears.
Obviously horns are easy to drive with low-powered tube amp and by all audiophile standards these are the most transparent and pure.

Also worth mentioning that high sensitivity speakers like most horns are extremely sensitive to EVERYTHING, not just the music. That includes noise, distortion, or any kind of sonic abnormality. So getting things just right upstream is more critical than ever. Not always easy to accomplish or maintain over time. That's just one reason why many horn demos might underwhelm or cause fatigue faster.

But, if you get it all right....then you have something. I have heard some really good, large expensive horn systems and enjoyed them for extended demos, but have never lived with any to-date for the long term, whichis what matters in the end.

I like to listen to music at lower volume levels and nothing really comes close to a horn system in terms of delivering dynamics (liveliness), musical detail and a complete harmonic palette like horns at lower volume levels. Horns can deliver astonishing detail while still sounding relaxed (not edgy and strident). Higher efficiency of some horn systems also mean that the best sounding amps can be utilized--low-powered tube gear--which can deliver the most natural sound (great transient response without the artificial "edge" of solid state, "dense" and weighty sound without being sluggish).

The price that one has to pay is the presence of some obvious tonal coloration. Some horn/compression drivers are pretty mild in that regard, such as vintage Western Electric and International Projection Company gear, and certain modern horn systems such as Edgarhorns, Goto/ALE and Avantgardes, but, horn sound is still present in some form. The other price one has to pay is...well...the PRICE (good horns and compression drivers are not cheap).