FR66s vs Ikeda IT-407 CR tonearms

If Dertonearm performed the work, I am sure it was done to the highest standard. I knew he liked the Ikeda silver wire, was not aware of the Kondo option, but I have some Kondo silver tonearm wire I purchased for another project (the Kenwood L07J tonearm on my L07D). Actually, for what little this is worth, oxidized silver wire is about as good a conductor as is non-oxidized. Copper does go bad with oxidation, on the other hand. Are you in Europe? I thought about sending my FR64S (with "silver wire inside") to Dertonearm for the same work but have not yet done so, mostly because I do not want to part with the tonearm. My own search suggests that the S in FR64S does not stand for "silver"; it may stand for stainless steel. Are you saying that the S in FR66S does indicate silver wire? Rather confusing nomenclature, in that case.

Hi Lewm,

Yes, I understand about Silver Oxide being conductive also but I would think that having a mix of pure silver and silver oxide would have some detrimental effects, after all the audio community go to great lengths to get 4N/5N Silver with large crystals (OCC type) etc. Anyway, once you see the condition of the original wire, you will cringe.

Yes, FR64s means stainless steel arm tube. FR64 means aluminum tube. Hard to tell the 2 from pics except that the dynamic balance weight on the FR64s is long cylindrical while the FR64 is circular. Most people get this confused and many Silver wired version do not have the sticker on the armtube. I believe all FR66s comes with Silver wire especially if it comes with original B-60 adjustable VTA base.

I am in USA and send it to Dertonarm in Germany. But he was quite quick to turn it around. You should check with him though. He may be busier now with his headshells, arms, cartridge and protractor products.

Jeff1225,

Thanks for your inputs. You have a nice system. I like the SIT amps too. The only SS amps that I can live with so far.

Yes, I am aware of the alternative view of the FR64s/66s from a few well known audiogon members and audio manufacturers like J Carr, Raul Ruegas and Thomas Schick.

Schick has a page on his website showing him dismantling an FR64s and pointing out his view on their deficiencies. But so far, those views have been for the FR arms and not for the Ikeda arms, as far as I can find. Hence, the original question on this thread was how FR compares with Ikeda arms. If you read the Ikeda website, it comments on improvements to the resonances of the Ikeda arm versus FR (different material structure) and also improvements in the spiral spring based tracking force. But I have yet to find any comments that say the Ikeda arms sound better than the FR arms.

My post started really because my audio friends did a mini-shootout between vintage carts (see review section) and also compared an Ikeda 407/Garrard 301 with a Thomas Schick/Garrard 401. Although the arms were on different TT's but being Garrards and using same plinths, I think we are close on the TT differences. However, at the end of the day, all of the group likes the Ikeda better than the Schick even with the SPU cartridges which are the Schick's best cart combo. So, again, sometimes what we hear is different from what the literature suggests.

Still, I am curious to get inputs between New Ikeda, old Ikeda and FR arms.

If you search these forums, you will find a very different opinion from those above regarding the Ikeda tone arms from the designer of Lyra cartridges.

It's certainly not J.Carr driving up the prices of FR-64s/66s tonearms...👀
It must be all the others who simply disagree with him.....😎
Is that allowed....❓😜

Ddriveman,
As you already own the FR-66s plus some wonderful turntables....I'm wondering if you are disappointed with the performance of the arm that you are hearing?

Having experienced many arms myself.....the very first sounds from one of my FR-64s/66s.....leaves no doubt possible about the State of the Art...😘