Why will no other turntable beat the EMT 927?


Having owned many good turntables in my audiophile life I am still wondering why not one of the modern designs of the last 20 years is able to beat the sound qualities of an EMT 927.
New designs may offer some advantages like multiple armboards, more than one motor or additional vibration measurements etc. but regarding the sound quality the EMT is unbeatable!
What is the real reason behind this as the machine is nearly 60 years old, including the pre-versions like the R-80?
thuchan
I suspect you are talking about speed accuracy relative to the desired rpms, but what about the drag of the stylus in the vinyl groove?
It is possible to distinguish "constancy" (rotation at a constant angular velocity) from "accuracy" (rotation at precisely 33.33 rpm) with a Timeline, altho I am no devotee of the Timeline. But it would be a pain in the ass to do so. One simply needs to make markings at regular intervals on the wall being used to observe the laser beam. If the "dot" moves at precisely regular distances in one direction or the other, with each rotation of the platter, then the speed of the table is constant but not accurate (see above for definitions). IMO, constancy is much more important than precise accuracy, as long as one does not perceive pitch distortion. Tbg, Ideally this would be done with stylus down, playing an LP, to account for stylus drag.

I am just not anal enough to do it, I guess.
Lewm, as I understand it, idler-wheel turntables is withstanding the slow ups of dynamic passages. So the EMT has that going for it. But the mass of the platter also helps greatly thanks to inertia. Also the friction of the idler-wheel is important as is its diameter constancy and the trueness of the surface on which the idler-wheel drives.

I once had a Final Audio tt which was solid copper! The platter weighed 285 pounds which is good, of course, but it was string driven with a knot on the string.

I think all of this means that what we hear is what is chiefly important.
Tbg, Without a doubt, by external inspection the EMT 927 is built like a tank in all respects and to a quality level that far exceeds the visuals of a Garrard or Lenco. The question is only whether all that machinery also results in "the best" sound. And that can be debated forever, as seen here.
Dear Dkarmeli: ++++ " some arbitrary measurements " +++++

well, that's your point of view but even today those kind of measurements are the industry standard and have a specific meaning.

Dkarmely, IMHO a " holly grail " product any must shine in every way/stage. In the other side: how any non-accurate audio item could be a " holly grail "? makes sense to you?.
Any " holly grail " product firat than all must measures as no other similar product and from here all the other stages in the product design that conform the final quality performance that could gives it with justice that name.

From a subjective stage I can tell you that each one of us have several " holly grails " products at each system link.

Dkarmely again: the overall subject goes deeper and beyond the sole subjective limits.

Seems to me that some of us go in " panic " when any one mention: accuracy, distortions, neutrality, measurements or digital when all these is part of each single stage in the day by day world life!!!!!

Regards and enjoy the music,
R.