Any new tweaks out there?


I know we've had threads dealing with this topic but newer members may have experiences not presented thus far. For instance, I'm sure many of us have noticed the the skimpy 12-14awg leads on the power supply of our amps. Has anyone tried replacing them with say, 8awg just to see what happens? Or changing out main caps? Or changing to pure silver signal wire? Or using the solder provision instead of the hold-down nuts on binding posts on the amp-side? Or going from E-I to toroid, etc.....? It would be great to hear about something new.
csontos

Showing 2 responses by geoffkait

Nice thread, heh, here are some of the tweaks I use, in no particular order. Herbies Halo tube dampers, Shakti Stone, Skyline diffuser, Shun Mook Original Cable Jacket, Shun Mook Mpingo discs, pens of various colors for colorizing CDs, Xtreme AV Quicksilver Gold Contact Enhancer, various CD treatments such as Jena Labs and Nanotec 8500, Ionoclast destat device from Mapleshade, Walker Audio Talisman demag device, suspending all cables and cords via fishing line (low WAF alert), one- and two-stage vibration isolation, bluestone slabs from Home Despot, Dots, Golden Sound NASA grade ceramic Super cones, cones under heavy funriture, cream electret and Pen X Coordinate Pen from PWB, Monster Cable CD Rings (CD stabilizer), obtaining absolute level of the CD transport, speaker set-up track on XLO Test CD. Some things I avoid: Lead, Sonex, Brass, Sorbothene

Geoff Kait at Machina Dynamica
Why don’t I like brass? I have ranked cone materials according to their relative Sound vs. Hardness. Generally speaking, the *harder* the material the better the sound. But it’s a little more complex since cone shape also affects the sound. Brass is actually a relatively *soft* material, relative to steel or ceramics, for example, which I think is why brass, generally speaking, doesn’t sound as good in terms of openness and tone and dynamics as high carbon steel and NASA grade ceramics. The same logic applies to carbon fiber cones.