Audiogon "RECORDINGS TO DIE FOR" list


I've been listening to some of my favorite recordings this weekend and was wondering what others on Audiogon felt were there favorites. We have all seen the Stereophile "Records to Die For", The Absolute Sounds recommended list, Music Directs' list, The Golden Ear, etc. now I'm hoping to assemble the Audiogon "Recordings To Die For". Please list your five favorite recordings, the ones you listen to over and over or play for friends. I would assume the sonic quality is excellent in that this is an audiophile site. The performance and enjoy ability should also be excellent. Please leave your top five, even if they are already chosen so we can discover the very top for the Audiogon listeners. ALSO PLEASE REFRAIN FROM CRITICIZING OTHERS OPINIONS AND JUST LEAVE YOUR FAVORITES!

August 2002: I have compiled a summary and a full printer-friendly list of all of the recommendations below.
click here to view summary
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Showing 2 responses by cogito

1. J.S. Bach Unaccompanied Violin Sonantas and Partitas performed by Arthur Grumiaux (though I think overproduced, Itzhak Perlman's may have better texture, sound-wise, and be more liberal emotionally and in interpretation; regardless, a superb recording and performance)
2. J.S. Bach Unaccompanied Cello Suites performed by Mischa Maisky (darker and slower than Rostropovich's)
3. Marhler 9th conducted by Bruno Walter (1961 version) (Or, Otto Klemperer's reading -- a tough choice)
4. Bruckner 9th conducted by Bruno Walter.
5. Shostakovich 10th conducted by Yevgeny Mravinsky, live (Phillips) (Karajan's readings on 10th -- recorded it twice -- are as superb).
I did not really incorporate the sound aspect into consideration, so I am going to retract my recommendations after rereading the original post. With respect to sound, try Perman and Rostropovich for the Bach pieces, Pierre Boulez for Mahler 9th, Giulini for Bruckner 9th, and Karajan (DG Karajan Gold) for Shostakovich 10th. But, can't really say they are my favorites though their performances are still top notch (maybe except Boulez's reading of the last movement of Mahler 9th). Sorry for my confusion.