Use 'em both. I have digital out from my CDP and both analog sets of outputs hooked up. This way I have choices. Two different ICs and the inboard DAC if I choose.
I prefer analog bypass using the CDPs DACs. I guess its the tube output..? or maybe its the full analog signal path you get in bypass. Either way, all you have to do is select the input, bypass, or digital from the front of the unit or remote. The Bryston offers a ton of flexibility and sounds fantastic.
There isnt "A" bypassed input, ANY/ALL the analog inputs can be bypassed at the touch of a button. Which is great. You arent bypassed if you choose "digital," then obviously the inboard DAC is doing the decoding, hence no bypass. But the beauty is, you can have 'em all hooked up at once, and select which you want to hear.
RCA only inputs is an issue for some. Most of the time the source is close to the Pre/Pro anyway. Mine are, so its really not an issue for me, I do use XLR to the amp for the front channels.
This is a serious performing Pre/Pro and I bet your going to love it.
I prefer analog bypass using the CDPs DACs. I guess its the tube output..? or maybe its the full analog signal path you get in bypass. Either way, all you have to do is select the input, bypass, or digital from the front of the unit or remote. The Bryston offers a ton of flexibility and sounds fantastic.
There isnt "A" bypassed input, ANY/ALL the analog inputs can be bypassed at the touch of a button. Which is great. You arent bypassed if you choose "digital," then obviously the inboard DAC is doing the decoding, hence no bypass. But the beauty is, you can have 'em all hooked up at once, and select which you want to hear.
RCA only inputs is an issue for some. Most of the time the source is close to the Pre/Pro anyway. Mine are, so its really not an issue for me, I do use XLR to the amp for the front channels.
This is a serious performing Pre/Pro and I bet your going to love it.