Can a $3K table be among the best out there?


I am on the market for a $3K turntable. I am going back to analog after a number of years so I know little of current market. So, I did some research and stumbled across the Townshend Rock 7 and WT Amadeus tables. I've read a lot about them.. The impression one gets after reading user comments or reviews (like TAS reviews for instance) is that it's hard to get a better table, period. In a world where you can easily spend $4K on a tonearm, I found these statements to be surprising to say the least. What's so special about these turntables, and can anyone comment on the notion that it's hard to beat their performance at any price?
ggavetti
Dear Vicdamone, You are not the first to repeat the claim made by WT that their tonearm has "no bearing". However, if you apply the formal definition of a bearing, I think their claim is rubbish. The arm pivots at a fixed point at its rear (I hope). Ergo, it has a bearing. What it has is a rather sloppy bearing, but a bearing, nevertheless. This is not to belittle the Amadeus as a tonearm/turntable entity; it must do a lot right, because it has an army of devoted followers.

Could a $3K turntable be among the best out there? Probably not, but at that price point it could be "good enough".
01-28-13: Tpreaves
A $300.00 table can be among the "best" out there if you want it to be.

Good comment. And true :-)
For some MP3 is the next best after sliced bread. You find that also in Analog reproduction.

01-28-13: Lewm
Dear Vicdamone, You are not the first to repeat the claim made by WT that their tonearm has "no bearing". However, if you apply the formal definition of a bearing, I think their claim is rubbish. The arm pivots at a fixed point at its rear (I hope). Ergo, it has a bearing. What it has is a rather sloppy bearing, but a bearing, nevertheless. This is not to belittle the Amadeus as a tonearm/turntable entity; it must do a lot right, because it has an army of devoted followers.

Could a $3K turntable be among the best out there? Probably not, but at that price point it could be "good enough".

Also a good comment. A Tonearm has to guide a Cartridge, not the other way. The WT Design is brilliant from the costs, it offers a good Package for someone who wants something which is not a total money burner (based on the first WT Designs). The WT ARm was always a good pricing but when you compared it to a much more expensive Graham Arm you will hear the Differences. Anyway, each his own, That Arm was copied with a piece of wood, two Magnets, 7000 USD, 1.5 years waiting list and that is a real joke. But you will find much more which is very expensive and at the end of day, lower average from performance.
Our time is tough, but modern :-)
Spiritofmusic, I'm happy you're happy with your TT. That's all that really matters. That said just because something is pricier does not mean it's better. This does not automatically make the cheaper table among the best though. It just means that some TT's are over priced for the performance they offer.

I have not heard the Trans Fi so can not comment on it's performance. Have you heard the tables you mentioned? How about in your own system? If not how can you be sure your TT is competitive?

I had a VPI Classic 1 in my system and know it's short comings. I can confidently say it is not among the best. Not to say it's bad it just falls short in a few areas. I've also heard the Amadeus at a dealer directly compared to the VPI Classic that I bought. The Amadeus was pleasing to the ear and I did like it a bit better than the Classic at the time but the Amadeus had a Dynavector 17D3 and the Classic had a 20XL. I own both those carts and I much prefer the 17D3.

I happen to agree with Lewm on the Amadeus arm. There is no way to be precise with the alignment on that arm because of it's design. This results in less clarity in sound than is possible with other arms. It does make it easier to setup though.

The Amadeus and Townshend Rock 7 are both excellent tables. I have given my comparison of their sound on a thread at Audio Circle, and the short of it is that I came to agree with the comparison given in Greene's reviews in The Absolute Sound.

MSRP of $3k will get you a lot of table, and what you prefer will likely come down to personal preference. The Classic and the recently introduced Avid table are others I would look at around these price points.

This is still a price point at which desginers will need to make trade-offs and compromises. I like the naked look of the Townshend, which was likely a cost-cutting measure (and I am fine in general with cost-cutting that might primarily be cosmetic in nature; my Avid phono pre is certainly nothing much to look at). The Amadeus' lack of suspension and use of MDF for the plinth are where that design saved money, it seems.

So I don't think these tables are necessarily among the best, but they are damn good and likely many (like myself) will feel an upgrade is unnecessary.