Hales owners discussion


We may have lost Mr. Hales to professional audio and the factory to history, but these are still fine speakers. I'm curious how others have their's setup, what tweaks they've found that offer improvements to the sound, etc.

Currently my Revelation Threes are ~3.5' from the front wall and 4.5' from the side walls. This is in a volumetrically large space (330 sq. ft.; volume unknown). Setup in a smaller, rectangular room (215 sq. ft.) they were 4.5' from the front and 3.5' from the sides. Straight Cardas method.

On a raised floor they were better without spikes; on a concrete slab the spikes are a must.

Mine are also toe'd in very little. Maybe 20 degrees. I listen in nearfield, btw. Now they're 7' feet apart and 5 feet from the listener. Before it was a 6' triangle.

Anyone tried anything radically different that worked? Mass loading, cones, etc.?

Oh, for reference my system is SF Line 1, McCormack DNA-1, CAL ALpha/Delta for CD, AP Oval 9, HT ProSilways and Illuminati D-60, plus various cones, weights, etc. What others are feeding their Hales with would also be of interest. Thanks in advance for any feedback.
fpeel
Good idea on the Audiopoints, but I'm considering putting mine on wheels. The cable guy was getting too close to them while doing an install, so I laid down two strips of cellophane tape to mark the position of the one in his way and lifted it to the side. He commented about being careful, but twice he had tossed something down next to them which made me cringe. Even agreed that he probably was watching out and moving them was for my own peace of mind. So what does he do? He peels the tape up, me saying "no, No, NO, NOOOOOO!" the whole time. Of course, he also kindly put it back... Only took 45 minutes to recover. Damn bout they're heavy.

On the subject of weight, has anyone tried mass loading their's? While heavy, they're not that solid on their feet. Or do the Audiopoints add to the stability? BTW, mine are later models and have four points instead of three like the early ones.
Being a bit smaller than the stock spikes, I do think the Audiopoints have made mine a little more stable. I think your wheel idea is very cool. I would love to be able to wheel mine around the room, especially if I owned the Threes. With the wheels, however, i would bet you will lose some detail and focus. I have mass loading and am not sure exactly what it entails. Because i move about twice a year and the fact that my spikes have scratched my speakers, I really don't see mass loading in my future. Let me know what you do and what happened when you did it. Good luck
I have Transcendance 5's and will be measuring my set-up (the space is not yet finalized) and will post it. I use Wireworld and Cardas wire, connecting SFCD1, SFL2, Audio Research VT100-2 and a VPI 'table for vinyl. Hales left us in the lurch, though I suspect it was not all his doing. It would be nice to see him re-appear as a cottage industry, like Steve McCormack. I wish I had gone for the T8's.......
I own T-8's, coupled to two Boulder 500AE amps in mono, a Boulder L3 preamp, and a Meridian 508/24. I use XLO for interconnects, and Cardas Golden Cross biwired. There is nothing I have heard in twenty years of the hobby that begins to come close to this sound. Everything sounds real, from acoustic jazz to huge orchestral works, female vocals to trance. Would love to hear from others about suggested tweaks. One thing I think really helps here is the absolute stability of the amps. Boulder rates these amps at 500 watts into 8 ohms, and I suspect upwards of 750 to 1000 watts into 4. The result is whatever the speaker requires, they deliver.
What size space do you have this system in, Junkyard? Sounds like a very nice set up.

I often consider trying tube amplification with the Hales, though something like the Sonic Frontiers SFM-160 or VAC PA-160 are the most likely candidates. I really like the flexibility the latter amp provides; looks like it'd be a good first tube amp.