Luxman L505u . . . why not?


I'm getting close to pulling the trigger on one of these--an upgrade from my Rotel receiver. Before I do, I'd like some perspective from the learned A'gon community. First, will it be a significant upgrade from the Rotel? What kind of sonic improvements can I expect? Second, why shouldn't I buy from Audiocubes II? http://www.audiocubes2.com/brand/Luxman/product/Luxman_L-505u_Integrated_Amplifier.html
I know On a Higher Note is the official U.S. distributer, but my budget pushes me towards the less expensive purchase option. Third, regardless of where I purchase it from, it will need a transformer to boost the power to 220. I don't know anything about the possible effects this might have on sound and performance of the component--can anybody speak to this? Is it possible to have the piece modified to accept the U.S. 110 current? I want the piece because it meets my requirements for an integrated: it's at least 100W, it has speaker A/B (I've got speakers in the kitchen and the main living room), it's got a great phono section (I play 50% records, 50% CDs), and it's got a headphone amp. Those are the features I want in an integrated. Any advice, suggestions, dissuasions will be appreciated.

Danny
rosedanny
Hi Nolitan. I agree with Jimthewebguy. I have owned the accuphases (e405, e408) the luxmans (L525(model 1987), L505u, L507u). I now have the L507u. I have this one for about 2 weeks, and I stil let it burn in for a while.

The difference between the luxmans and the accuphases is, like jimthewebguy said, the accuphases give a beautiful detailed 3-dimensional sound, but it is a bit cold to my ears. I found the coldness very fatiguing. It can sound a bit harsh and therefore not relaxed to listen to.

The luxmans give a full, rich and musical sound. They always have power to spare and this sounds very relaxed. Even the L505u with 100 W/ch had much more control over the speakers then the accuphase e408 with 180w/ch.

I have listen to these amplifiers with bns soundcolumn III and mission 753 freedom speakers. Both are very neutral sounding speakers
Back to Luxman CD players, Mark Toronto-416

I am not expert on CD players, although I really love the one I've got, so
while I was in the nearby shop yesterday I asked the guys in there for you. They are local Japanese hard-core audiophiles running the local branch of one of Japan's top-notch used audio dealers. The main guy wasn't there, but the two younger guys I talked with both seemed taken aback by my question about "how are Luxman CD players regarded in Japan." They quickly whisked me over to a rather funky-looking 1989 model, which they said together with its HUGE DAC was the top one in Japan that year. Besides that, they were under the impression that Japanese typically prefer Onkyo or Accuphase CD players.

Tomorrow I'll go back to the shop to pick-up some stands for my new B&W 805s, which I'll be using as second speakers. The used TAOC stands are being delivered from the shop's Tokyo store to my local one. The main store guy, who knows LOTS, will be there, and I'll get his opinion about how Luxman CD players are regarded here for you.

By the way, I went to the shop yesterday mainly to listen to a wonderful and rare amp called a "Leben CS300X," which was designed by one of Luxman's top amp designers who (like many others, apparently) left Luxman when Alpine took it over in 1984. For comparison, I played a range of music through my trusty old Luxman 507 and some (stinky) Diatone speakers. I didn't bring my Njoe Tjoeb CD player, so was stuck listening through a vastly inferior LINN Magik-CD. If anyone would like to hear my opinions about the (1978?) Luxman 507 compared to the Leben CS300X, please ask.
Many thanks Jim! I would love to know how the new Luxman cdps (especially the D-06 & D-05) are regarded in Japan.

I have seen and listened to one of their integrated amps, and they are a work of art, both physically and sonically.

Regards,

Mark
Hi Jimthewebguy, I'd love to read about the comparison between your luxman and the lil leben. I have yet to hear a luxman, but I've heard the leben you mention.
Thanks
Chas
Mark Toronto, Chashas1, and all: Luxman amps vs Leben, and Luxman CD players...

I just got back from the shop with some heavy stands for my new B&W 805s as second speakers, as well as some nice marble slabs to put between them and the tatami mat floor.

I talked with the main guy regarding his opinion about how Luxman C-5 and C-6 cd players are perceived in Japan. He thinks that they are not preferred by younger people, but are so by older listeners, because they have the "sweet and mellow" (his words) sound characteristic of Luxman (he calls it "The Luxman sound"), whereas younger Japanese people often prefer harsher, more powerful and trebly rendering.

I also asked him for some thoughts about my Primaluna Prologue Two, which has disappointed me because on the one hand it gets such rave reviews from so many online audiophile sites, yet to my ears and my wife's it is not better than my old, plain, not famous Luxman 507; in fact, it sounds more obviously distorted and even harsh sometimes to us. My trial period with it ends on Jan 20, and so I have to decide whether to give it up or not soon.

He explained that the Primaluna line, like the Leben, represent MODERN tube sound, and that they are excellent values for that type of amp. He thinks American ears are attuned to harsh and overly powerful amps and sound systems, often based on transistor amps that he considers basically "bad," so that when an American hears clear sounds through tubes like the Primaluna or Leben, we are enthralled by it in comparison. In reality, those amps are not necessarily better-sounding than many old tube amps and integrateds, but in comparison to the harsher stuff we're used to, they sound great. This made some sense to me in the context of all the old collectible stuff in his shop.

Chashas1, before you read my short blurb on it let me qualify my words by pointing out that I am no expert in this at all, just a novice and beginner in audio, and am only offering what my own ears told me. I am a bit older than many in here I imagine, and have heard lots over the years, though.

I had brought my Luxman 507 to the shop to compare to the Leben CS300X. I played a range of music on CDs from a LINN Magik-CD, output through some Diatone speakers, only because there were no others even close in type to my Yammies that day. The shop has a super-fast turnover rate.

The CDs I had included (of course) Miles's "Simply Blue," some drum-and-bass-loaded Brazilllian Samba, a string quartet by Wagner, Tchaikovsky's 1812 overture (complete with explosions on the crescendo!), Ella Fitzgerald with Louis Armstrong, Sade, Jimi Hendrix, Arethra Franklin, Maria Callas, Ravi Shankar, and some great whiney, nasal, banging-and-clanging Chinese Opera.

I played about 1 minute of one item, then switched amps and listend to the same sequence, then went to the next item.

The Leben was definitely even more clear and detailed than the already clear Luxman. On the faster stuff like Aretha, Jimi, and the Brazillians, the Leben was "punchier" and "more energetic." (I am sorry that I don't know standard vocal to describe these things, and hope you can grasp what I mean to convey). Over the range from mid-bass through upper-midrange, the Leben gave a somewhat wider staging presentation with subtly more clearly-defined imagined. Unfortunately, and I was sorely disappointed by this, the high-end was too strong and even harsh across the board on almost all these recordings. I felt listening fatigue beginning very soon, and was in each case relieved to return to my Luxman sound.

Mind you, all of these descriptive terms look exaggerated, as the differences were overall subtle.

The Leben has a bass tone control, but none for the high treble. If it had, and if I were able to reduce the subtly harsh effect, I would probably have taken it home, because other than the high end it sounded so good.

I am suspect a part of this judgment might be from being habituated to the familiar Luxman in my home, and also that I have some ear damage left over from wilder days that rings uncomfortably when high pitches are harsh at all. However, I can easily imagine that for many Americans used to listening to harder, harsher systems, as the shop guy described, the Leben would sound like comforting silk.

I would be very interested in hearing about your own listening experience with the little Leben gem, if you would be so kind.

Jimbo