I think that audiophile types have turned the word “neutral”, which would seem to imply an objective quality, into a subjective word which is code for “whatever I like.”
Of course, gross colorations can be identified quite quickly, but barring that, how can one claim neutrality for anything unless they were present at the recording session to have a base line for the original sound that is being reproduced?
Of course, gross colorations can be identified quite quickly, but barring that, how can one claim neutrality for anything unless they were present at the recording session to have a base line for the original sound that is being reproduced?