Old vs. new


I have a simple(maybe?) question for you guys, I have some new versions of albums that I’ve replaced from older vintage records that I’ve  had thinking they would sound better than my older ones, but they don’t, since vinyl  has made a comeback , we’re the older versions engineered and mixed for vinyl and now the new recordings not mixed to favor vinyls characteristics?
128x128wownflutter

Showing 2 responses by glupson

"And artists like Michael Jackson were early adopters of digital."
I remember reading an interview with Bruce Swedien, Michael Jakson’s engineer. It was in late 1980s, maybe 1991 the latest. He said he was changing approaches (digital vs. analog) often. I think he even said during same song, but that I am not sure (I read it in previous century, forgive me). He definitely said he was changing microphones and cables during songs, depending on what he had wanted to achieve.

He might have been really finicky, but he was not joking with his work.
Just last week, I pulled out a copy of The Rolling Stones Exile On Main St. bought on July 3, 1982, German pressing. It is a well-used but also well-cared for record(s). Looking at it, you might be fooled to believe it is close to never-played. I had not heard it in at least 10, but more likely 25 years. I compared it to a recent CD.

In any review in audio magazines, CD would wipe the floor with that record. "More dynamic", "less muddy", "clearer highs", "tighter lows", all those things and then some. Hey, even the words are clearer. It is simply better presentation of everything.

In my review, the record sounded "better". It is a joke of a recording/pressing/whatever else, but it is just more pleasant to me.

The only reason I can think of why I prefer clearly inferior item is that I grew up with it. In my mind, it is the way it should sound. Everything else is fake. To me, not for real.

So what did I do with that marvel of analog technology? I digitized it (DSD) and may never play the record again. It sounds close enough to avoid the trouble of dealing with the record. In fact, it sounds the same to me and to a friend of mine also very familiar with the album, but I will not claim it would to everyone.

Well, I may play it again, I probably will. Not for the sound. I love watching that yellow label rotating. Nostalgia, or whatever you call it. You know, analog love. The things I think I love.