Paradigm Persona series


I'm beginning to poke around and gather opinions and information about a "super speaker" to replace my aging Thiel 2.4s.  I like the idea of bass dsp room correction and I am a bit of a point source type imaging nut (thus the Thiels).  So among other choices I've been looking at the Paradigm Persona series specifically the powered 9H with room correction for the bass.  However I'm skeptical of the "lenses" i.e. pierced metal covers on the midrange and tweeter specifically because of Paradigm's claim that such screens "screen out" "out of phase" musical information.  The technology in the design seems superlative but I just can't get past the claim re out of phase information and the midrange and tweeter covers.  What could possibly be the science behind this claim?  It just seems like its putting a halloween moustache on the mona lisa given the fact that the company is generally a technology driven company.
pwhinson

Showing 7 responses by d2girls

personally i am a bit jaded with paradigm for jumping into high end so hard, so quickly. the prestige series was already significantly more expensive than anything they ever did beforehand, now we got the persona series... i never considered the paradigm brand synonymous with ultra high end, guess theyve made it to the big leagues now.
Agreed, but they have usually been a quarter of the cost of the persona series.
“Too many systems sound like systems and not like real music, real live music especially brass instruments, and high hats tend to sound bright and harsh, go to a live wedding and see if you can tolerate the sound of a live band with horns and brass, especially when played a normal room size and distances.”

Why are you still saying this a year later... I’m convinced you don’t know what real music sounds like based on this comment that you’ve said before as well.
@ctsooner 
 I agree with what you said about Harbeth. I don’t know what Alan Shaw’s deal is (warped ears perhaps) but the Harbeths scale with gear and most especially the room. I owned the 30.2 for a few months it was by far the best speaker I ever owned before I heard the JBL 4367, but it was limited by my room which is too small for anything at the m30 series size.

as you said, everything sounds different in room. But I would not recommend Harbeth 30.2 in a room smaller then 40m3
Let clarify, because I now own speakers that are bigger than the 30.2: a traditional loudspeaker design bigger than the 30.2 wouldn’t work for me. The Jbl 4367 is far from a “traditional” design with its large woofer and unique horn
Would the 9f be too much for my small room, 12x15? It's weird how bigger speakers work better in my room because of directional horns or other design quirks but a more traditional speaker with narrow design actually needs MORE space.