If anyone is looking for a true "World Class" preamp at a very fair price..heed my advice. I just recieved a Supratek Syrah preamp that was hand built by Mick Maloney in Western Australia, and it is absolutely beautiful! This preamp is the best deal you will ever find. I would put it up against any preamp out there for both looks and sound. Price? $2500 for the Syrah (includes Killer Phono stage). Not into phono? Try the Chardonney line stage for $2100. Don't get me wrong, I am not associated with this company. I am just a very happy owner! This preamp is VERY dynamic, yet liquid. It conveys the sound of music better than any other preamp that I have ever heard! You can check out the Supratek website at www. cantech.net.au
Without reading all 620+ responses what amps have worked the best with the syrah pramp? Tube or SS? I am ordering a syrah and just wonder what some of you have been using.
Bobheinatz, I don't think it matters what amp you use, tube or ss. The Supratek has more than enough gain and flexibility to be used with any amp. The amp/speaker match is more critical. The output impedance on the Syrah is 600 ohms.
I am using a Berning ZH270 with superb results but expect most of the Supratek owners will tell you the same.
Hey Bwhite. To reiterate: Under no uncertain terms would the WE 350b's be justified for regulators in the supratek given their current market value.As mentioned earlier in the tube thread; The only reason I use them in mine is... I had a pair left over from an old pair of theatre amps that I sold years ago.Yes, I do like them as regulators in the supratek.. however the tungsol 5881's or any of the older 6L6 G versions are terrific.Their purpose in the supratek is to smooth the dc ripple of the rectifier and regulate a constant voltage to the gain stage.Early st-bottle shaped 6L6 G'versions can be found for peanuts just about anywhere. The guitar guy's tend to prefer the higher rated GB and GC versions of the 6L6 as the G rated versions cannot handle being ramped up into overdrive and tend to distort far to early for them.I would hazard to guess that well over 90% of the 6L6's were traditionally sold to the guitar amp market.
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