Newbee, thanks for the vote of confidence but I'm really not all that. Heck, I'm not even a real duke... but then you're not a real newbee, are you??
My preference is in the opposite direction of what Dennis is looking for - in general I prefer the illusion that the performers are far away, maybe because that's what I'm more used to hearing at a live performance. So I don't know that I can really take Dennis in the direction he wants to go.
Let's say that at one end of the spectrum there's a presentation that sounds like you're sitting at the front table in a jazz club. At the other extreme, you're sitting near the back of a large concert hall (in the cheap section, next to me).
Comparing these two, the reverberant sound will be a relatively weak up front in the jazz club, but it will be very powerful and envelope you in the back of the concert hall. Also, the spectral balance will have much more treble energy up front at the jazz club because less treble will have been absorbed by the room (and even the air in the room) by the time the energy gets to you.
So if I was shooting for an "up front" sound, I'd want speakers with a pretty much flat on-axis frequency response (no dips and no downward-tilt, but also no peaks in the 3-4 kHz region or else you can expect listening fatigue). I'd want either a fairly narrow radiation pattern (like a horn system), or I'd want to sit very close to the speakers, like within 5 feet of them ("near-field") so that the direct sound dominates over the reverberant sound. No dipoles, bipoles, or omnis. If you plan to sit close, make sure the drivers integrate well at close range - that would be a topic for another thread.
Now you know what's gonna happen? You'll spend a fortune on nice new speakers and set up your nearfield listening position and then you put on your favorite disc - and dammit now the singer sounds farther away than ever! What's happening is, that's the way the recording engineers miked and mixed her to sound. The setup I have described will help minimized your system's adding more ambience and sense of depth than what is on the recording, but it will also unmask the image depth on the recording that might have been previously obscured.
So like I said, in the end I'm not sure my suggestions will take you in the direction you want to go.
Duke
dealer/manufacturer
edit - on the other hand, maybe Peterb is right. Maybe Dennis the Menace would feel right at home with Mr. Wilson's speakers!
My preference is in the opposite direction of what Dennis is looking for - in general I prefer the illusion that the performers are far away, maybe because that's what I'm more used to hearing at a live performance. So I don't know that I can really take Dennis in the direction he wants to go.
Let's say that at one end of the spectrum there's a presentation that sounds like you're sitting at the front table in a jazz club. At the other extreme, you're sitting near the back of a large concert hall (in the cheap section, next to me).
Comparing these two, the reverberant sound will be a relatively weak up front in the jazz club, but it will be very powerful and envelope you in the back of the concert hall. Also, the spectral balance will have much more treble energy up front at the jazz club because less treble will have been absorbed by the room (and even the air in the room) by the time the energy gets to you.
So if I was shooting for an "up front" sound, I'd want speakers with a pretty much flat on-axis frequency response (no dips and no downward-tilt, but also no peaks in the 3-4 kHz region or else you can expect listening fatigue). I'd want either a fairly narrow radiation pattern (like a horn system), or I'd want to sit very close to the speakers, like within 5 feet of them ("near-field") so that the direct sound dominates over the reverberant sound. No dipoles, bipoles, or omnis. If you plan to sit close, make sure the drivers integrate well at close range - that would be a topic for another thread.
Now you know what's gonna happen? You'll spend a fortune on nice new speakers and set up your nearfield listening position and then you put on your favorite disc - and dammit now the singer sounds farther away than ever! What's happening is, that's the way the recording engineers miked and mixed her to sound. The setup I have described will help minimized your system's adding more ambience and sense of depth than what is on the recording, but it will also unmask the image depth on the recording that might have been previously obscured.
So like I said, in the end I'm not sure my suggestions will take you in the direction you want to go.
Duke
dealer/manufacturer
edit - on the other hand, maybe Peterb is right. Maybe Dennis the Menace would feel right at home with Mr. Wilson's speakers!