Just got my Spectron Musician II SE and it's been running about an hour or so. I got this amp to run a second system with Dali Helicon 400MK IIs. My main rig is homemade horns that use an active crossover using a PX4 SET amp on top and a digital amp on the bottom. In just one hour of listening to the Spectron on the Dali's has got me second guessing horns and SETs. Maybe I'm smitten with something different at the moment but, I have to remember that this rig has only been playing an hour. I don't like the binding post. A real pain in the butt if you biwire. Plus, I don't use terminations so bare wire is a real treat to make fit tight. I told Simmon that this kind of amp should have two sets of binding post! So far, so good. A little edgy on attacks for now but I'm sure that after some break in it will be just fine. It's already competing with my favorite ss amp.
Spectron Musician III - Can anyone comment on it?
I am currently on the hunt for a pair of amplifiers that have massive peak power capability with excellent micro dynamics and neutral presentation. I am driving a pair of Martin Logan Statement E2's
The Spectron Musician has been reviewed exceptionally well everywhere I looked and seems to fit the bill but I just can't get over 25 years of snobbery telling me to avoid switching amps because linear amps just sound better and, hey, the name on the faceplate ain't Krell or Mark Levinson!
Can I PLEASE get a few people with experience listening to these amps tell me why I should or shouldn't buy them?
I desperately want to buy a pair of the BAT VK-600SE's since I own mostly all BAT equipment but to produce, say, 110db peaks one would comfortably need several thousands watts of power in the bucket to meet the challenge. I don't think the BAT amps have that under the hood.
Advice?
The Spectron Musician has been reviewed exceptionally well everywhere I looked and seems to fit the bill but I just can't get over 25 years of snobbery telling me to avoid switching amps because linear amps just sound better and, hey, the name on the faceplate ain't Krell or Mark Levinson!
Can I PLEASE get a few people with experience listening to these amps tell me why I should or shouldn't buy them?
I desperately want to buy a pair of the BAT VK-600SE's since I own mostly all BAT equipment but to produce, say, 110db peaks one would comfortably need several thousands watts of power in the bucket to meet the challenge. I don't think the BAT amps have that under the hood.
Advice?