The focus and air lie

hi dpac996:

a great tune is a great tune, regardless of sound quality.

i can listen to music on a radio and get what ever the composer intended as i would on a "high end" stereo system.
the only difference between the two is the sound, not the emotional content. i can recognize a clarinet on a boom box. it may sound more "authentic" on a stereo system.
music is still music, regardless of the medium.

regarding air, i believe one hears notes not the air. air is silent. go outside your house or appartment building. do you hear air ?

HiFi and high-end audio have NEVER, EVER, EVER come close to the sound of live music, and don't seem to be necessarily any closer now.

The point made about soundstaging is particularly relevant; hyperdetail as well. Real, live music has neither of these. Conversely, live music has dynamics and flow that are not produced accurately by ANY high-end audio system I have ever been around.

In my opinion, when it comes to loudspeakers, those that possess the necessary dynamics and instaneous swings in volume, for example, horns, tend to sound far more agressive, brash, and threadbare than real life, while those that can reproduce the proper timber, liquidity, relaxed nature, voluptuousness, or flow such as electrostatics (which often overshoot the mark) are woefully inadequate when it comes to dynamics and being able to reproduce both the suddenness and power of the real thing. Typical cone/dome speakers fall somewhere in the middle of those two, determined mostly by their crossovers and/or their drive units.

Bottom line, perfection does not exist today when it comes to audio. And, it doesn't seem imminent on the horizon, either. So, in the effort to get as close to whatever idea of such exists in our minds, we chase after that which we believe lines up best with that - be it soundstaging, clarity/resolution, timbre, immediacy, liquidity, fullness, dynamics, etc. Sure it's incorrect, and sometimes wildly so, but it's the best we can do for now.

Ndeslions,

To get that focus and air hifi components cheats, it's all in the meds and high meds, a bit less meds, a bit more high meds and you get the details, the air, the focus BUT you loose timbral accuracy, fullness.

The technical term is a "scooped midrange' - it has been extremely successful in high end audio. Add a metal tweeter and you can often achieve an "etched" sound.

If you are after timbral characteristics more than a wow soundstage, ambience or atmasphere then try to audition a Harbeth or ATC speaker. Internally damped drivers like pulp paper cones or polypropylene or doped fabrics seem to work well at preserving the timbral information on the recording - these are all very old as the hills type speaker designs. I am not a fan of newer metal or ceramic cones (often ringing issues) unless you go for the best designs like accuton. Because of the preponderance of two way designs with 6" woofer/mid drivers the midrange scoop is the most common sound from speakers today (a large cone will tend to beam in the midrange leading to a midrange scoop and an emphasis in upper mids and air when you listen far field).

I may be barking up the wrong tree but this is likely part of your problem.

In my opinion, when it comes to loudspeakers, those that possess the necessary dynamics and instaneous swings in volume, for example, horns, tend to sound far more agressive, brash, and threadbare than real life, while those that can reproduce the proper timber, liquidity, relaxed nature, voluptuousness, or flow such as electrostatics (which often overshoot the mark) are woefully inadequate when it comes to dynamics and being able to reproduce both the suddenness and power of the real thing. Typical cone/dome speakers fall somewhere in the middle of those two, determined mostly by their crossovers and/or their drive units.

Trelja,

Your point about horns and electrostats is valid. The fact that cone/dome speakers fall in between may explain why they are the most successful and popular form of speaker. To me the closest you can get to the dynamic realism of live sound today (with a quality that approaches the timbral accuracy of some electrostatics) would be ATC's but I would agree with you that nothing out there is perfect. I would add that most people are not looking for "live" type sound at home and prefer something much more relaxing.

The audiophile curse***

Basically many like to say "we all hear differently"

The actual truth is we have varying degree's of deafness :-)

Just nobody admits that part of it