HiFi and high-end audio have NEVER, EVER, EVER come close to the sound of live music, and don't seem to be necessarily any closer now.
The point made about soundstaging is particularly relevant; hyperdetail as well. Real, live music has neither of these. Conversely, live music has dynamics and flow that are not produced accurately by ANY high-end audio system I have ever been around.
In my opinion, when it comes to loudspeakers, those that possess the necessary dynamics and instaneous swings in volume, for example, horns, tend to sound far more agressive, brash, and threadbare than real life, while those that can reproduce the proper timber, liquidity, relaxed nature, voluptuousness, or flow such as electrostatics (which often overshoot the mark) are woefully inadequate when it comes to dynamics and being able to reproduce both the suddenness and power of the real thing. Typical cone/dome speakers fall somewhere in the middle of those two, determined mostly by their crossovers and/or their drive units.
Bottom line, perfection does not exist today when it comes to audio. And, it doesn't seem imminent on the horizon, either. So, in the effort to get as close to whatever idea of such exists in our minds, we chase after that which we believe lines up best with that - be it soundstaging, clarity/resolution, timbre, immediacy, liquidity, fullness, dynamics, etc. Sure it's incorrect, and sometimes wildly so, but it's the best we can do for now.
The point made about soundstaging is particularly relevant; hyperdetail as well. Real, live music has neither of these. Conversely, live music has dynamics and flow that are not produced accurately by ANY high-end audio system I have ever been around.
In my opinion, when it comes to loudspeakers, those that possess the necessary dynamics and instaneous swings in volume, for example, horns, tend to sound far more agressive, brash, and threadbare than real life, while those that can reproduce the proper timber, liquidity, relaxed nature, voluptuousness, or flow such as electrostatics (which often overshoot the mark) are woefully inadequate when it comes to dynamics and being able to reproduce both the suddenness and power of the real thing. Typical cone/dome speakers fall somewhere in the middle of those two, determined mostly by their crossovers and/or their drive units.
Bottom line, perfection does not exist today when it comes to audio. And, it doesn't seem imminent on the horizon, either. So, in the effort to get as close to whatever idea of such exists in our minds, we chase after that which we believe lines up best with that - be it soundstaging, clarity/resolution, timbre, immediacy, liquidity, fullness, dynamics, etc. Sure it's incorrect, and sometimes wildly so, but it's the best we can do for now.