What frequency do I crossover subs


My speakers go down to 45hz and I've been told to crossover the subs at 60hz. That doesn't make any sense to me. I would think the crossover point would be between 40 and 50hz. Is there anyway to figure this out scientifically?
taters
db,

If you're using the SMS-1 in auto mode, you're only scratching the surface of that unit's potential.

The SMS-1 will output FR <200hz to any video monitor. You could hook that up to get a visual take and see how it correlates with what you're hearing. You'll also see the FR thru the x-over point that you've chosen. If you tweak the parametric DRC settings and slope, phase, etc. (assuming that you haven't already done so) to achieve the flattest FR around that point, you'll hear a really seamless hand-off from the main speakers to the subs.

You should also manually adjust for smooth FR below that point. Unfortunately, Velodyne (IMHO) mangled the auto-correct software and the cumbersome manual set-up is really mandatory for best results.

Marty
Let your ears be the jugde. When it comes to subwoofer integration there are no absolutely right or wrong solution even with DRC. It is up to you to decide how your bass suppose to be sound. You have to play around with sub placement, crossover point, phase, delay to find you ”near perfect” setting. Just my 2cts
Marty,

I confess to having used the SMS-1 auto mode, but I bought an articulated mic stand at a local music shop in anticipation of manual set up. I need to get to it. I think the SMS-1 sends video to the DVDO, so I should be able to use the small (30") TV to monitor adjustments. The SMS-1 sits on a shelf above the DVDO, so if it isn't already connected it should be easy to do.

db
Audionuts,

The OP asked for a "scientific" approach - which I took to mean he wanted an alternative to set-up by ear. I described one such "scientific" approach; set for flat FR at the listening position. In the end, he may prefer the "tune by ear" approach that you recommend, but now he has a different approach for comparison purposes.

BTW, my experience is that the "scientific" approach has yielded vastly preferable results, but that may only indicate my own shortcomings at setting up a sub by ear.

Marty
Weirdly, the point nobody ever seems to make regards the fact that recorded music has vastly disperate bass levels. I stuck a "chicken head" knob (left over from a guitar amp) on the gain pot on the back of my REL sub so I can (easily) adjust the level by feel without moving the sub away from the wall..this adjustment is to make things sound better...sort of the point of this hobby. I don't have tone controls on my preamp (because they're simply not cool) and absolutely do not need them...ever...and the crossover point stays the same...but the REL gain knob is needed often for small adjustment, otherwise I'd be stuck with anemic bass on old LPs or my walls would crumble when a large bass level kicks in on any number of recordings.