What is your speaker ownership history since 1995?


Used audio market is not the same again since on-line marketplace was born in 1995 (Fleabay).   What is your speaker *ownership* history since then?   

(showroom / friend's house / loaner don't count .. must be owner of them)

Let me start with mine's, from 1998 to current (*):

(oldest to current)
Misc Wharfedale (thanks to uBid hype!!!)
Newform Research R645
Magneplan MMG
Magneplan 3.3R
NHT ???
SOTA Panorama with Time Domain bass module
Rogers LS3/5A
Infinity ??? (first time I realize 'reference' in the model name means absolutely nothing)
Klipsch Klipschorn
Tyler Acoustics Taylo Reference Monitors
Tyler Acoustics Reference 1
Wilson Watt Puppy 5.0
JMLab Chorus 7??
B&W Matrix 805
B&W Matrix 801 Series II
Revel M20
Revel F30
Alon I
Alon V
Tangent R4
Loth X BS1
Odeon Double Six
Silverline Sonata I
Meridian DSP5000
Paragon Acoustics Regent
??? Some Audio Physics DIY clone
Legacy Audio Classic
Duntech Princess
Sansui SP5000
Altec 604E w/ mastering lab (The Big Red)
Tube ? Lab ??? (it is the sorry B&W Nautilus 805 clone)
Epicure ??? (its the one with an eyeball kinda tweeter)
Celestion SL600si
Avalon Symbol
Vienna Acoustics Mahler 
Quest for Sound SQ10
??? White van speakers, can't remember the name, $80 a pair
Talon Audio Peregrine X
Fostex backloaded horns (DIY)
Counterpoint Clearfield
KR Audio (limited production specials, no model name)
Avalon Eclipse Classic
Apogee Centaur Major
Ohm Model I
Dynaco A25
Oris Horn 250
Egglestonworks Rosa
Legend Audio Reference Monitors (now known as Von Gaylord ROTL Mk II)
*Nearfield Acoustics Pipedreams 930
*Wilson Watt Puppy 3/2
*Kharma CRM 3.2 FE


Pretty purpose-less, focus-less timeline, I must confess.




bsimpson

Showing 2 responses by tubegroover

Shadorne while I certainly don’t agree with you on everything with reference to your audio experiences/philosophy, your point about change for audible improvements rather than different SOUNDS is "right on" to my goals as well. This hobby to me is attaining true fidelity to what my understanding/impression of that is, not "different flavors", I want to be engaged in the music and performance/message. I am and have always been completely uninterested in change for change sake. I guess there are many differences in what defines being an "audiophile". My goal is that the music being faithfully reproduced, is the ultimate goal. Flavors? I personally prefer vanilla with chocolate a strong second but it depends on my mood and what my palate wants at a given time. As always, YMMV, enjoy the music!

I am really impressed at the number of speakers some have owned in a given time frame, WOW!

PS to your point about curiosity Roxy, I suppose that point is valid but if you change too often, don't you at times become confused, or is that even revelant? 
Thanks for your comments Roxy. I completely agree that a common mistake for the unwary is that the messenger is often shot when the the carrier is the culprit. You have owned some fine speakers among your list. Ironically the one you disliked the most I currently own and love with a passion. I think it goes back to your words of wisdom to the beginner, the absolute importance of system synergy. Sometimes it ends up being blind luck when things come together in that special magical way as it has for you with your Klipsch/SET combo and me with my current Decapo BE set-up where the sum total far exceeds any of the individual parts. The persistence in getting there paid off this time unlike previous efforts in my case. Rock is as enjoyable/believable and natural as is classical, choral, string and small acoustical ensemble and jazz. Even my wife doesn't now cringe when I play the Stones. The other night she even came into the room and started dancing, enjoy the music!