What makes strings sound "sweet"?


I have always wondered about this. If you listen to many recordings of bowed string instruments, then you know that the upper registers can sometimes have a sweet tone. I define this by what it is not - edgy, brittle, dry and rough sounding. It is smooth and inviting. I used to assume this was due to rolled off highs or an emphasized midrange, but I am not so sure. It varies by recording, or course, but I have often wondered what, in the recording or reproduction process, causes strings to either sound brittle or sweet. Is it the acoustic of the original recording venue? A frequency balance issue? I would love to hear from those who might know. Thanks!
bondmanp

Showing 3 responses by josh358

Steely violins are caused by bad mic placement. Violins radiate different frequency bands in different directions. For that reason, if you place a microphone right above a string section, it will sound shrill and steely. One solution is to try to equalize the shrillness out of the feed. A better one is to mike the orchestra properly, with a stereo pair flown above the front of the stage.
I learned that from Toole's book, if you have access to it there's an interesting illustration of the weird directional characteristics of violins in Fig. 3.3.

Here's the paper Toole references, but they want $25 for it:

http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&id=JASMAN00005100006B001994000001&idtype=cvips&gifs=yes&ref=no

Also an AES paper called "Tonal Effects of Classical Music Microphone Placement":

http://www.aes.org/e-lib/browse.cfm?elib=11768
The problem I have is that it varies from recording to recording. So there's really no way to balance your system to make everything sound good, unless you roll the highs off so much that other instruments start to sound dead.

When I come across a recording with screechy strings, I typically grit my teeth and listen to something else instead.