What makes strings sound "sweet"?


I have always wondered about this. If you listen to many recordings of bowed string instruments, then you know that the upper registers can sometimes have a sweet tone. I define this by what it is not - edgy, brittle, dry and rough sounding. It is smooth and inviting. I used to assume this was due to rolled off highs or an emphasized midrange, but I am not so sure. It varies by recording, or course, but I have often wondered what, in the recording or reproduction process, causes strings to either sound brittle or sweet. Is it the acoustic of the original recording venue? A frequency balance issue? I would love to hear from those who might know. Thanks!
bondmanp

Showing 3 responses by konradh

Example of what I mean: I’m sure varnish is something of a factor, but I don’t think we can control that, and I doubt producers recording strong sections look into that.
Good responses, but if we already have a well-recorded section (either live or a good VI like Vienna Symphonic or Hollywood Strings), how do we get a sweet Montavoni or Mancini sound? I *think* this is an EQ question and I am hoping for guidance.

Regarding the various harmonics in the series, I am impressed by the knowledge here, put I don’t know of a simple technique to alter harmonic content selectively.

A practical answer would be greatly appreciated.