Electronica artists have the freedom to create music without the limitations of traditional instruments. They can be creative in any octave they want and I don't want to miss out. That's why I have a pair of JL subs. I saw Crystal Method live in Santa Cruz at an older venue and I really thought the ceiling might start to crack and fall on our heads due to the extreme bass. The room seemed to be shaking vertically even when the volume was low at times. It may have been "unnatural" but it was their art and creation and we were having a blast. Don' wanna miss out on that in my living room!
Why the obsession with the lowest octave
From what is written in these forums and elsewhere see the following for instance.
Scroll down to the chart showing the even lowest instruments in this example recording rolling off very steeply at 40 Hz.
http://www.homerecordingconnection.com/news.php?action=view_story&id=154
It would appear that there is really very little to be heard between 20 and 40 Hz. Yet having true "full range" speakers is often the test of a great speaker. Does anyone beside me think that there is little to be gained by stretching the speakers bass performance below 30-40 cycles?
My own speakers make no apologies for going down to only 28 Hz and they are big floor standers JM Lab Electra 936s.
Scroll down to the chart showing the even lowest instruments in this example recording rolling off very steeply at 40 Hz.
http://www.homerecordingconnection.com/news.php?action=view_story&id=154
It would appear that there is really very little to be heard between 20 and 40 Hz. Yet having true "full range" speakers is often the test of a great speaker. Does anyone beside me think that there is little to be gained by stretching the speakers bass performance below 30-40 cycles?
My own speakers make no apologies for going down to only 28 Hz and they are big floor standers JM Lab Electra 936s.