Paul brings up some interesting points. Depending on the type of microphone used and the placement of each mic, i DO think that a sense of "height" is possible in recordings. This has to do with the polar pick-up pattern that the individual mic displays. Outside of the frequency response, output level and maximum spl capability, this is one aspect of a mic that most recording engineers have to familiarize themselves with.
Since each mic design has different "capture angles" or polar patterns, the amount of "height", "width", "depth" and level of "ambience" courtesy of "direct vs reflected" sound can be drastically altered by the type of mic used and where it is located when recording. Combine this with the acoustics of the individual hall or studio used to make the recording, and you have a pretty drastic variation of why / how some recordings sound SO different from each other. How much of that information makes it through all of the mixing, equilization, compression, mastering, etc... is another story. Sean
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Since each mic design has different "capture angles" or polar patterns, the amount of "height", "width", "depth" and level of "ambience" courtesy of "direct vs reflected" sound can be drastically altered by the type of mic used and where it is located when recording. Combine this with the acoustics of the individual hall or studio used to make the recording, and you have a pretty drastic variation of why / how some recordings sound SO different from each other. How much of that information makes it through all of the mixing, equilization, compression, mastering, etc... is another story. Sean
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