How close to the real thing?


Recently a friend of mine heard a Chopin concert in a Baptist church. I had told him that I had gone out to RMAF this year and heard some of the latest gear. His comment was that he thinks the best audio systems are only about 5% close to the real thing, especially the sound of a piano, though he admitted he hasn't heard the best of the latest equipment.

That got me thinking as I have been going to the BSO a lot this fall and comparing the sound of my system to live orchestral music. It's hard to put a hard percentage on this kind of thing, but I think the best systems capture a lot more than just 5% of the sound of live music.

What do you think? Are we making progress and how close are we?
peterayer
I have friends that perform in the Boston symphony, a best friend that builds guitars for some of the top classical and flamenco performers around the world, friends that dance the clubs in London and Manhattan.

None of them are at all interested in sitting on a chair and listening to a pair of speakers. They have the real "rhythm that is music" and don't care if it's an ipod or a five hundred thousand dollar system. They have the talent to feel the music under any circumstance.

I guess this may be more of being drawn into music. If you have music in your soul you can listen through a tin can and feel the spirit. If you need a certain cable to get interested you might think about finding another passion because music is too much for you to handle. At this point it's the gear you want.

Generally IMO the test of a system is if you love to sit and listen to it. I have a friend with a pair of M5's in a great room. They sound slightly bloated to me but we listen to them at concert levels for hours each week. I have another friend with the Wilson Maxx 3's. Very different from the M5, perhaps more transparent, but I never want to listen to them for more than an hour. Great stage, etc. but man, maybe if was a little older I would need all that intense information placed for me.

I don't think playback can be the same for any two individuals. Sure we can agree on a set of principles, or try to talk about what is real, but we can never trade our very slight preferences if it is real to us.
Bjesien wrote :

I don't think playback can be the same for any two individuals. Sure we can agree on a set of principles, or try to talk about what is real, but we can never trade our very slight preferences if it is real to us....

Weseixas:

Bravo , bravo ... An Audio truism, if there ever was one..
Bjesien, I fully agree that playback satisfaction varies greatly. I suspect that for performing musicians listening to recorded music is not relaxing and staying at their best entails much practice. My friend used to read a great deal within a silent study.

I do find it valuable not withstanding that we share our experiences, but to assume any consensus is beyond us. I have some friends whose options I greatly respect, that is the best I can do in guiding my buying decisions.

Once I allowed myself to think that I was hearing 90% of what was real. Shortly after that I got something new and thought it was a very great improvement suggesting that before it I was only at about 50%. I decided that this was a waste of time. Sometimes when I leave my music room with something playing, I close the door and while descending the stairs, ask myself whether it sounds like real music being played. My answer always, thus far, is no.
Irvrobinson, I was thinking the same thing. I noted above that I do sound quite often for live music. You think audiophiles are subjective, you should hear musicians talking about EVERYTHING changes the sound of their instruments. Stings, different brands of horns sound different, piano, piano strings, drums and different skins...... It does not have to be exact to sound live. I've had a celloist in and pianist seperately in my home, they both commented that they could have been fooled. I truly believe that if we are listening to excellent recordings where the scale of the venue is close to our living room that it is possible to come very close to the live experience, if any variables change we lose that live charm very quickly. My system doesn't fool anybody on larger scale music, but I still enjoy it. Somewhere in the above thread, it was mentioned of a live/recording comparison of a small group called Misty River. After I read that, I ordered this recording. On a couple of their songs (not all) you can hear the order of the girls placement when they sing, you can hear very specific intstrument placement and the tonal balance and mic work on this recording is quite good... Honestly, I would not be fooled on this recording, but It comes closer than I thought it would and as I made reference to before as single cello or piano can fool alot of people.
good listening, Tim