Mating Tube pre's with SS amps


I'm about to buy either a Levinson 334 or Classe 200 mono's. I have a Mccormack RLD-1 pre. After many hours spent in these forum I've decide that a tubed pre will best suit my taste. All sources go through a Levinson 360S. The main reason for choosing tube preamplification is the holographic soundstage the good one's claim to acheive. I've also considered the Pass X1 for this reason. Another reason is that I've noticed many successful systems use this combination of tubes and SS. Now, for those of you who have chosen a similar path, with a neutral amp, can I expect to reap the benefits of tubes, the 3-D image, liquid mids, etc, while maitaining SS control and a degree of neutality over euphonics. I so want a tube pre to ruin the benefits of resolution the 360S brings to the table. Thanks.
sjh32
Im also planning to get a tube pre amp as well for a ROKSAN
CASPIAN Power amp.I dont know if this will be the right
path for the ROKSAN though????Guys ...Need your advise
I've just made the move to a tubed pre and SS amp. In my case, both pieces are from the same manufacturer, Blue Circle (specifically the BC21.1 preamp and BC22 MKII amp), which helped avoid impedance mismatch. More than that though, although they are still breaking-in, they are devliering a lot of what you've described you're looking for in your system. If you have the chance to audition some tubed preamps, you should be able to find one to your liking.

Best of luck to you.
Last year i purchased a Convergent Audio Technology Sl-1 Ultimate tube preamp and used it with a Classe CA-301 SS amp....at first the sound seemed very good with good punchy bass control, but after i replaced the Classe with my new CAT jl-1 tube monoblocks did i discover what tube magic is all about!
Looks like I'm on to something here with all the positive feedback. Impedance problems should be avoided with a thorough demo in my system once I narrow down the competition. A new(used to me) Levinson 334 should be arriving in a week. Got a good deal. This reminds me of something I think should be the subject of its own post. I sorta feel sorry for those of us who have paid retail for some of this gear. Case in point, the 334. This sucker retail for what? $7000? Same story with my 360S DAC. In this economy, it's really a buyer's market for used hi-end gear. I wonder how much this cuts into the collective hi-end industry's bottom line? I read on the Levison site that the 360 was such a success since they sold 7500 units, and Levinson is a lot bigger than most audiophile companies. I've seen 5 sell only in the last 2 months on Audiogon. No wonder I've twice heard rumors about Levinson going out of business. They have scaled back/consolidated operations.
But I digress. For those of you who recommended Audio Research. One thing that has given me pause is the size of the power supply in units like the LS16. Actually, until I became aware of this criticism, I was in the market for a LS16 II. Warner, you recommend the 16, is yours a Mk. II? The second interation uses the same circuit improvements as the REf.II and the LS25II. Or some sort of trickle-down version of it anyway. Also do you use the Sovtek tube or NOS? What would you recommend? And since I listen to a lot of modern music, bass response is also a concern with tube gear. Thanks again for all the helpful posts.