Tenor Hybrid v. VTL MB-450 Sig.


I am planning on replacing my VTLs with the Tenor stereo 150 hybrid . Since I will not be able to hear them first and since they are a substantial outlay over what my VTLs are worth, I am hoping that some of you may have heard both. Would you mind characterizing the differences that I should expect to hear? I have Merlin VSMMs, a First Sound preamp, and an Audio Logic 24mxl DAC. Other amps that I am considering are the Joule VZN-100s, or a CAT JL2. My pre-purchase buyers remorse is that they will be better but maybe not commensurate with the extra cost. I am aware of the higher cost/diminshing returns reality. However, from what I have read, these hybrids seem to be a huge step up. If I audition a piece and hear an improvement that meets my personal cost/benefit ratio, I buy it. So, with no personal experience with the Tenors, I am finding it is a bit difficult to make the leap to buy the most exp. piece of gear in my system. Any input you may have is greatly appreciated. By the way, JTinn and I have had several conversations about this subject. He had been very helpful and generous with his time. In this post, I am looking for more of a comsumer point of view.
brooksl
Jim: I take exception to your admonishing RC to keep quiet. The point of view he offered (that in his opinion the money might be better spent on keeping the amps and replacing the speakers) - whether or not you agree with it - is a perfectly legit take on the query, and not at all out of bounds in my book or by Agon custom.

Attempting to shut up a good-faith poster on an open forum, however, *is* out of bounds in my book. Introducing an alternative perspective does not "muddle the thread" as you put it, but asking someone to "go away" shows less than "a little class", my friend.

Kevinkwann: Do you know of any speakers that "get the dynamics of live music right"? Are you implying that the Merlins do so?
I agree with you Zaikesman regarding Jim and RC. The more we hear from RC the better as far as I'm concerned.

As to your second point, I was implying nothing. What I said was clear and speaks for itself. Speakers that get the dynamic contrasts of music right include, among others, Merlin, Avantgarde and the mbl 101 series.
Jim2:
Zaikesman and I always seem to be on opposite sides of a discussion, but he is right on this one.

Suggestion: Rethink your statement.
KevinKwann as a Merlin owner, I agree that Merlin is excellent at dynamic contrasts but would further say the Sound Labs EXCEL at low level dynamic contrasts of musical instruments to a greater extent, I haven't heard it done better by any speaker. The Merlins are among the best I have heard in this respect and along with their tonal balance it is one of their great virtues. These speakers present very refined, defined pitch at low levels. I've heard some quite amazing bass from the VSM although it requires a a powerful amp with plenty of control to realize it.

So far as BIG dynamics, larger speakers are better at capturing this providing you have a room and it is treated properly but this doesn't always equate to real so much as more visceral, depends on your musical priorities I suppose. Furthermore, the VSM's are MUCH better suited to a small to medium sized room. Much more so than a large system IMHO. I ain't gonna argue with Bob Crump, I respect his hearing although I have never met him. His cables tell me a lot about how he hears and he also has the SoundLabs, not a bad choice.
Jim2, I like a larger presentation than the Merlins will allow, but have friend locally that had the Merlins set up with some old Entec woofers that did just about everything correctly as the size of the presentation was life sized, about 30% larger than using just the Merlins.....As far as amps go I would go with the Berning or Joule OTLs and buy some subwoofers and still have money left over from the 20K or keep the VTLs and buy some JM labs......JM will get the weight and size of a piano correct......

I used the Sound Lab M-1s at CES 2003 with my home system and noted they were cleaner than my Rockports and were definitely full range and cut a deal with Roger West as he wanted a preamp.......If I can get the focus and immediacy out of the Sound Labs here then I will replace the Rockports and if not I will keep both.....Unfortunately, nothing is perfect on an overall basis as Kenkwann points out as few speakers get the leading edge right.......You pick your poison and live with it for a while.......