Hello,
I owned the SP-10 for 8 years (1987-1995) and for phono playback, even with the rolled off frequency extremes, a noise floor a bit too high, and mediocre resolution, it was a most incredibly musical component. It took me many years to find something (LS5II/PH2) which had all its strenghths .... and so many of its weaknesses dramatically reduced.
Once I heard the LS5 line stage did I finally realize how poor was the SP-10's line stage. For the first time did I learn that CD playback can be enjoyable.
If you are truly focusing on CD playback, I simply can not recommend the SP-10. But it could very well be a great phono stage that drives (through its tape outputs) a modern line stage.
Concerning the use of the high gain switch position, listen with both and choose the one that works best for you. Newbee is correct that the 12db is an attenuator setting so this surely will cause some loss in the world of "transparency". But there is no "wrong" in using either setting as one position may allow for more fine level adjustment or perhaps the other will allow you to have the volume control around 12 o'clock which is often reported by members here to be preferred for less coloration caused by the volume pot.
Look for the ultra-low noise tubes for the phono section. I used RAM tubes for this and they worked so well. Perhaps RAM Labs still sources such 6DJ8/6922 tubes. Every 6 months or so, as the phono stage became sensitive to noise, I bought another pair or quad, put the new ones in the phono stage and moved the old phono stage tubes to the line stage.
The SP-10 is anything but bright so you can surely eliminate it as a possibility for this trait. If you're system is a wee bit bright, I have found Cardas Golden Cross cables to tone this down and bring on a little more warmth as well.
John
I owned the SP-10 for 8 years (1987-1995) and for phono playback, even with the rolled off frequency extremes, a noise floor a bit too high, and mediocre resolution, it was a most incredibly musical component. It took me many years to find something (LS5II/PH2) which had all its strenghths .... and so many of its weaknesses dramatically reduced.
Once I heard the LS5 line stage did I finally realize how poor was the SP-10's line stage. For the first time did I learn that CD playback can be enjoyable.
If you are truly focusing on CD playback, I simply can not recommend the SP-10. But it could very well be a great phono stage that drives (through its tape outputs) a modern line stage.
Concerning the use of the high gain switch position, listen with both and choose the one that works best for you. Newbee is correct that the 12db is an attenuator setting so this surely will cause some loss in the world of "transparency". But there is no "wrong" in using either setting as one position may allow for more fine level adjustment or perhaps the other will allow you to have the volume control around 12 o'clock which is often reported by members here to be preferred for less coloration caused by the volume pot.
Look for the ultra-low noise tubes for the phono section. I used RAM tubes for this and they worked so well. Perhaps RAM Labs still sources such 6DJ8/6922 tubes. Every 6 months or so, as the phono stage became sensitive to noise, I bought another pair or quad, put the new ones in the phono stage and moved the old phono stage tubes to the line stage.
The SP-10 is anything but bright so you can surely eliminate it as a possibility for this trait. If you're system is a wee bit bright, I have found Cardas Golden Cross cables to tone this down and bring on a little more warmth as well.
John