2. amps-preamps
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VAC Ren II, VAC Phi, or ARC Ref 3?

Finally, the two cold solder joints in one of my Rowland 7M amplifiers have been fixed. Just a simple 2 minutes soldering job at home, thanks to a kind live phone consult by Jeff himself. Now the system is back purring like a kitten.
Great say you, but. . . the problem is that now I have fallen totally prey to Upgraditis Furiosa, the most pernicious and 'wife threatening' form of Audiophilia Nervosa.
I listen mostly to classical--lots of chamber, vocal, Early Music, Baroque, Romantic, some large orchestra, lots of cello and other strings--on a system that I have lovingly put together over the last 20 years: EAD T1000, AT&T glass C-core glass wire, EAD D7000 Mk. 3, AudioQuest Quartz RCA, Audio Research LS2B, Gutwire XLR, Jeff Rowland 7M monoblocks, Cardas Golden Ref PCs on 7M, Cardas Golden Ref speakerwires, MagnePan 3A speakers.
The sound is sweet, lush, with a large if slightly unfocused soundstage, sometimes slightly veiled, somewhat soft at the bottom, can sound glorious in the midrange, good if not spectacular at the top. Much better at small ensembles than at full orchestra, where the sound stage can collapse and full strings and brass often display signs of brittleness and two-dimensionality. But, so much for self-criticism. Now what to do?
I intend to migrate towards a fully balanced system, with redbook and SACD capability and a tube linestage. I will start upgrading at the source and linestage points. The source will be an Esoteric X-01 or an upcoming APL NWO-1. But in this thread I'd like to discuss options for a new linestage. My requirements are an open and detailed, sweet sound, accurate with minimal coloration, with very good but not necessarily overwhelming macro-dynamics, an excellent three-dimensional and accurate soundstage, superior microdynamics and subtle nuance. The linestage must sound great out of the box--after breakin of course: not only after going through many cycles of NOS tubes musical chairs. All of this from a company with a stellar track record and reputation in quality, dependability and pre/post sale support. I listened to the VTL 7.5 and found it to be too soft. The BAT VK51SE sounded too dark. Then I listened at length to the VAC Ren II, which seems to embody all of my requirements. I have not heard the VAC Phi as yet, but it is in the running by inference. Nor I have listened to the ARC Ref 3, although I intend to: Ref 3 is in the running by reputation.
Suggestions? Opinions? It's your turn guys and girls!
guidocorona
ellery911
549 posts
 
I think that being that lots of your equipment already has 3 letter designations EAD, ATT ,RCA etc. that you probably be very happy with any of the options you listed as they all contain only 3 letters also...although Phi might be kind of hard to pronounce.

Your speakers...well...they contain the number 3 so I think you are ok there.

the Rowland gear should be the first to go...good call on your part...6 letters...way too many.

now wire it all up with MIT and you're set!

just my 3c

Ellery

;o)
guidocorona OP
4,114 posts
 
Ellery, 3C contains 2 letters. Shame on you!
jafox
1,348 posts
 
Good to know that you have decided to broaden your product auditioning. Will you have room for a second power supply in the future? 8-)
guidocorona OP
4,114 posts
 
John, I am not quite sure. Currently my amps and linestage rest on a 6 foot long and almost 2 inch thick low bench of solid pitch-pine.
I might have just enough clearance to place a Callisto and its PS side by side, but I would need to stack any two power supplies on top of each other. Is that at all possible/advisable?
fsarc
148 posts
 
As a Phi 2.0 owner I would say it fits your requirements. There is the ultimate test of synergy with the rest of your equipment. As a Phi 220 amp owner, the Phi 2.0 was a logical choice and exceeded my expectations, bettering the linestage section of my EMM DCC2.

The Phi 2.0 is incredibly quiet- the noise floor is lower than that of the DCC2. It has the drive. bass, and dynamics of the best solid state with the sheer musicalnesss of tubes.

The Phi 2.0 will drive any known amp regardless of load. It can easily handle power amps with an input impedance of below 10K ohms so it is very flexible in that regard. It is essentially a low powered Class A1 fully balanced Triode amplifier.

The user interface is wonderful. The only disadvantage next to the Ref3 is lack of an easy to read numeric volume readout. Kevin chose not to implement his volume control with a digital readout.

Build quality and curb appeal goes to the Phi series hands down. It is absolutely stunning and pcitures do not do it justice.

When you buy a VAC piece you are also investing in Kevin's and Co fanatical attention to detail and "perfection". His customer service and the VAC product reilability are second to none.

ARC IMO introduces new components and Mark II/III versions way too quickly. I think OB already sent his Ref 3 in for a "running" prodcution change. It's only been out a few months. A guess some would consider that a good thing- in some ways it is.

The Ref3 will also offer more balanced inputs, although the Phi 2.0 can be ordered with a second set of balanced inputs using a modified connector.

The Phi 2.0 will also come with a world class phono stage for MM and MC cartridges. You can use two arms at the same time and select the cartridge with the flip of a switch. Kevin feels his phono stage will compete with ANY separate phine stage on the market- bar none.

The etched glass with the glowing VAC logo also wins me over every time I sit down to listen.

Good luck!

Sorry for typos. I'm in a rush!
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