VAC Ren II, VAC Phi, or ARC Ref 3?


Finally, the two cold solder joints in one of my Rowland 7M amplifiers have been fixed. Just a simple 2 minutes soldering job at home, thanks to a kind live phone consult by Jeff himself. Now the system is back purring like a kitten.
Great say you, but. . . the problem is that now I have fallen totally prey to Upgraditis Furiosa, the most pernicious and 'wife threatening' form of Audiophilia Nervosa.
I listen mostly to classical--lots of chamber, vocal, Early Music, Baroque, Romantic, some large orchestra, lots of cello and other strings--on a system that I have lovingly put together over the last 20 years: EAD T1000, AT&T glass C-core glass wire, EAD D7000 Mk. 3, AudioQuest Quartz RCA, Audio Research LS2B, Gutwire XLR, Jeff Rowland 7M monoblocks, Cardas Golden Ref PCs on 7M, Cardas Golden Ref speakerwires, MagnePan 3A speakers.
The sound is sweet, lush, with a large if slightly unfocused soundstage, sometimes slightly veiled, somewhat soft at the bottom, can sound glorious in the midrange, good if not spectacular at the top. Much better at small ensembles than at full orchestra, where the sound stage can collapse and full strings and brass often display signs of brittleness and two-dimensionality. But, so much for self-criticism. Now what to do?
I intend to migrate towards a fully balanced system, with redbook and SACD capability and a tube linestage. I will start upgrading at the source and linestage points. The source will be an Esoteric X-01 or an upcoming APL NWO-1. But in this thread I'd like to discuss options for a new linestage. My requirements are an open and detailed, sweet sound, accurate with minimal coloration, with very good but not necessarily overwhelming macro-dynamics, an excellent three-dimensional and accurate soundstage, superior microdynamics and subtle nuance. The linestage must sound great out of the box--after breakin of course: not only after going through many cycles of NOS tubes musical chairs. All of this from a company with a stellar track record and reputation in quality, dependability and pre/post sale support. I listened to the VTL 7.5 and found it to be too soft. The BAT VK51SE sounded too dark. Then I listened at length to the VAC Ren II, which seems to embody all of my requirements. I have not heard the VAC Phi as yet, but it is in the running by inference. Nor I have listened to the ARC Ref 3, although I intend to: Ref 3 is in the running by reputation.
Suggestions? Opinions? It's your turn guys and girls!
guidocorona
Hifimaniac- All of the Phi series components use circuit boards. Kevin tells me the 2.0 pre uses a special ceramic material that's not used on any of the other Phi products. Even the tube sockets are directly soldered to the circut board. I'm sure they are well designed.

Guidocorona~ I'm kind of in the same boat as you, I have not been able to do a head to head with the VAC products. I just find the Sig MK II very attractive, and I'll have to hear it before buying anything else. I won't be needing the phone stage, so again the Sig MK II looks attractive to me compared to the Phi 2.0. The Sig MkII has 4 less tubes to worry about.
Good point Jsen. There is a slight price advantage in the Ren Sig over the Phi. Furthermore there are less tubes than in the Phi. The opposite side of the coin is that Kevin deems the Phi 2.0 to be VAC's current preamplification flagship. What to choose? I am starting to think that if the mountain truly refuses to go to poor Mohammed. . . I may just have to go toVAC's shop to listen to them all before deciding.
Hmmm..........I see the price advantage in the Phi 2.0

-Latest circuit design-sonically better than the Ren.Sig II.
-IMO- the Phi blows it away in the looks dept.
-Built-in state of the art phono stage that is a $4000 option for the Ren Sig II.
-I wouldn't worry about the tubes. Kevin said I can leave my 2.0 on 24/7 and get a least two years of tube life.
-Better resale on Phi 2.0 The Ren Sig II is really not in production anymore, but available by special order.
-Price difference is only $2K.
-Now if you come across a used mint Ren Sig II at a substantially lower price then I would agree it is the better value.
David, I differ with your finding, based upon several years of experience owning a Blowtorch. It has never been hard edged, simply ruthlessly revealing yet musical as it gets. You owned Avalon Osiris speakers when you had the Blowtorch for a few months, as well as either Pass X600s or Krell 750s, not sure what the rest of your system was. I won't dispute what you may have heard, but any edginess cannot be attributed to the Blowtorch. I have heard the Blowtorch vs. IIRC the Switchman, and the differences were apparent, especially in terms of dynamics, imaging and staging, and treble.

Brian
Brian, the CTC site has no info about Blotorch I could find. Your web site did not show any info on it I could find either. Are there specs anywhere on the Blotorch?