This issue definately opened some dialogue. Reading the responses has been a real eye opener on how some people feel strongly about being the winners of their point of view verse compromisers with the other's position on what makes good music (jazz). A wise person stated that it is far better and smarter to first understand the other person's POV before trying to be understood when faced with new or unknown situations.
My current musical interest evolved out of listening and getting hooked on artists like Santana, Blood Sweat & Tears, Chicago, Charlie Byrd, Miles Davis, Freddie Hubbard, Donald Bryd, George Benson, Herbie Hancock and Herbert Laws during a summer vacation with my Uncle in 1970. This musical experience was a watershed event for me because it opened my mind to all types of music (especially jazz - contemporary, smooth, traditional, straight ahead, fusion, be-bop, post-bop, world, etc.) My dominant interset is in jazz and is still evolving and growing even though it appears that radio programers are moving away from most forms of jazz. (Smooth or contemporary jazz at least got people interested in exploring all sub-genres of jazz.) For those of you who are familiar with JazzTimes and JAZZIZ, it's nice that these magazines support different styles of jazz to satisfy ppeople's various taste in music.
Those of you that appear to be hardliners for or against either style of the music discussed here should recommend an Artist's work which will act as a bridge to the other's genre. Who knows maybe there will be winners on both sides.
Let me try this out; for you Smooth Jazzers listen to Joe Pass (whitesone) or Lew Soloff (hanalei bay), and for SA Jazzers try listening to Joe Fuentes (good cup of joe) or Jeff Lorger (kickin' it).
Regardless of your preferences, please support the Artist you enjoy by attending concerts and buying their music because in the long run we all will reap the rewards of new music.
"The difference between a mountain and a molehill is your perspective"
My current musical interest evolved out of listening and getting hooked on artists like Santana, Blood Sweat & Tears, Chicago, Charlie Byrd, Miles Davis, Freddie Hubbard, Donald Bryd, George Benson, Herbie Hancock and Herbert Laws during a summer vacation with my Uncle in 1970. This musical experience was a watershed event for me because it opened my mind to all types of music (especially jazz - contemporary, smooth, traditional, straight ahead, fusion, be-bop, post-bop, world, etc.) My dominant interset is in jazz and is still evolving and growing even though it appears that radio programers are moving away from most forms of jazz. (Smooth or contemporary jazz at least got people interested in exploring all sub-genres of jazz.) For those of you who are familiar with JazzTimes and JAZZIZ, it's nice that these magazines support different styles of jazz to satisfy ppeople's various taste in music.
Those of you that appear to be hardliners for or against either style of the music discussed here should recommend an Artist's work which will act as a bridge to the other's genre. Who knows maybe there will be winners on both sides.
Let me try this out; for you Smooth Jazzers listen to Joe Pass (whitesone) or Lew Soloff (hanalei bay), and for SA Jazzers try listening to Joe Fuentes (good cup of joe) or Jeff Lorger (kickin' it).
Regardless of your preferences, please support the Artist you enjoy by attending concerts and buying their music because in the long run we all will reap the rewards of new music.
"The difference between a mountain and a molehill is your perspective"