Another sign SACD is dying


I went to Best Buy to purchase some SACDs and after searching for the special section containing sacds and xrcds without success, I asked the salesman where they were. He informed me that they were all removed since dual disc is now the rage. WOW!
jmslaw
For a dead format I continue to see more and more SACD Hybrid releases every day. It will however continue to be limited to the smaller labels producing high quality releases of specialized musical venues.
Cinner I thought about what you said which was why I responded with a glib comment.

I'm not sure our difference in regard to this matter is as great as in other matters. I am simply saying that Sony must have believed that SACD as a consumer format had a fighting chance. I agree that Sony was looking for the best possible means of archiving their vast library of music. But if it were you, wouldn't you also hope that the incompatable format would be a commercial success.

There continue to be new SACDs available for the music lover. I bought several of the new Living Stereo releases a few weeks ago. Tschaikowski's 6th Symphony, Sherazade, and a Gershwin release all sounded very good. At the $12 price point, they were well worth the cost.

Post mortum eh? If it's dead (I will concede life support) that's just because people who claim to be music lovers let a better sounding format die.

Where is the controversy?
Rooze you miss the main point,the vast vast majority of music (guessing 99%)is not available on SACD therefore it doesn't matter what happens in the studio.
Also a fair bit of SACD releases as you rightly point out were met with perhaps unreasonable expectation (and by that I mainly mean remasters)which is just the way of the world-super duper new format did not equal super duper differences for a lot of us.

To take a modern recording that is usually rated by audio fans-Sea Change by Beck how much better is that on SACD?
I'm serious I don't know but having a few weeks ago heard snippets of the Keane album on my neighbours new Linn Unidisk-I wasn't greatly impressed .

When music historians look back at the history of music how many releases are actually going to be artists found on specialised audiophile labels?
Certainly very little new music.
Something that befuddles me is that I have read various comments from people pertaining to the limited superiority if any of SACD over redbook. Now the irony is that some of these comments are made by people who are cryogenically treating (read tweak) their wall outlets trying to squeeze every bit of performance from their system that they can. Yet they will denounce a format that offers some improvement and in some instances vast improvement in the very sound quality that they are trying to improve. I don't get it!