Most eye-opening upgrade and what you learned


Would love to know about moments of light on the high-end audio learning curve.

My husband and I number among the academic poor ...
with preferences which substantially exceed our budget.
Nonetheless, we have managed an aha!! experience or
two of our own.

The mating of conrad johnson tube preamp with krell solid
state amp opened our eyes about the role of electronics
in creating presentation.

Listening to the revel salons set our standards for hearing music rather than sound from an audio playback system.

Know that many of you have deeper insight, am hoping you
will share.

Newcomer to audiogon
Judith
judit
A minor epiphany occured when I upgraded from Kimber 4tc speaker cable to Analysis Plus Oval 9. Then, I tried bi- wiring the Magneplanar 1.6's using both the Kimber & Oval 9's. Even better. Swapping the 9s & 4tc between woofer & quasiribbons changed things, each is different & equally interesting. Now the epiphany was this: synergy is everything. With every previous upgrade, you wonder just how much better can things sound. If the component doesn't gel synergistically, it's just different, not better. But when it clicks, eureka! However, it's both depressing & exhilarating. After the sonically enabled release of endorphins, the realization kicks in that this could be a never ending quest for the holy grail of audio euphoria. Like you, my wife & I are in the field of education & must go for "high value" products.
judith: welcome to the 'gon! having been at this hobby for roughly 35 years, i've had quite a number of eye (or ear)-opening experiences. i'll share a couple:

first, listening to my lp's on a decent turntable after they sat neglected for a couple of years during my first "digital epoch." the vpi hw-19 with a grado arm and grado reference cartridge simply blew away every cdp then available. so, for several years after acquiring this analog rig and upgrading to a tnt/ sme V/ lyra clavis, i had no cd player in my ever-evolving system. (FWIW, my current analog frontend is much more exotic.)

second, hearing a great one-box cdp in my setup. the first of this ilk was an accuphase dp-65, replaced after 2 months with a dp-75. thus began my second digital epoch.

for about a month and a half now, i've finally able to get world class digital AND analog performance with my purchase of a boulder 1012 pre/dac. this beautiful box, coupled with compatible lp and cd transports, provides the best from both my music collections.

i hope, tho, that i continue to be amazed by newer and better stuff. i especially look forward to the production of more great recordings of music, whatever their format might be.

-cfb
Kelly-I don't know who your kidding everyone knows you are using an old Teac turntable with a rubberband for a belt ;) But hey if you think its exotic, before you laugh that is what I am using for an anlog front end-hence digital being my sole source.

Judit-I first used active(there was a large build up) when things could be controled I went to passive. But all of that aside I prefer using the ones with the blue "handle" and the extra bushy swab end, YMMV.

TIm
1st: Going from "high grade" monster cable speaker cables and interconnects to Nordost Blue Heaven.

2d: Adding an API Powerwedge 114 (who knew there were cymbals on that track?)

3d: Going from the Snell B Minor to the Snell A Reference Towers.

4th: Going from a low-end Denon 'table with a mid-fi Ortofon cartridge to a high-end Denon 'table with a Grado Reference Sonata cartridge.

5th: Going from an Adcom GFP 565 preamp to the Plinius CD-LAD preamp.

6th: Convincing my wife that busting my IRA and investing the money in Mo-Fi was a good idea :-)

Welcome to the high end, Judit; it's a journey and not a destination.

Paul