How can I make my own acoustic materials?


I was wondering if I could make my own diffusion panels like those that RPG makes. Do you think these could be as effective as the RPG's? or the RPG's have something special?
Also, is there any good book or source in the web about how to construct acoustic treatments? I'd appreciate your help on this matter. GRACIAS!
adal1108
Psychicanimal, i have nothing to gain by promoting or belittling either Jon Risch or Steve Deckert. Both are making a valiant attempt to help people out. One does it by sharing his knowledge, designs and offering advice / guidance for free while the other makes / sells / markets various products and services. You be the judge as to who is more likely to "hype" their product. In my eyes, it would be the one that stands to make money.

As i mentioned, the results of that specific test were documented somewhere on the Asylum. If i can remember correctly, there were over a half dozen audiophiles that were involved in the listening test.

Either way, i wish you luck in your project. I hope that the bass traps turn out as your expecting and solve your problem. Sean
>
Thanks, Sean. I have my neighbors complaining and it's a brick building!

Research costs money. Nothing's free. I talked to Steve yesterday and these people went through several prototypes before reaching the current bass traps. I don't think $29.95 is nowhere near a rip off for their time and efforts.

I would be wary of someone giving things for free because of lack of funds to sustain R&D, but that's just me...

Although I work in sales, I am a professional scientist (shit happens).

This is the formula:

Quality Control + Quality Asessment = Quality Assurance

Most people (even in science) equate Quality Control with Quality Assurance. Totally wrong. Control involves design & execution (process control), asessment oversight. The combination assures quality. If this is followed anyone can make good progress (ask the Japanese!).

Steve told me that he has made mathematical analysis of Risch's bass traps vs his designs. It would take many many many to equal one of his bass traps (according to his math, that is). Steve talks science when it comes to this subject. Totally non Voodoo. That's what I look for. After all, it's acoustics; it's governed by the laws of physics, right?

Peace to all,
Since we were discussing about tests and validation, here are some thoughts on sustainability, validation and quality control:

I was looking at the classifieds here in Audiogon and I ran into an ad for a 'cable and interconnect cooker'. This is what the website says:

"The break-in process is believed to be due primarily to current flowing through the conductors of wiring components. Dielectric stress caused by a voltage difference between the conductors is also believed to be of some benefit. The fact that it takes many hours of in-system use for wiring components to break in is primarily due to the low-level nature of audio/video signals from normal program material."

When one reads for quality assurance (and I did it for a living) one must watch for empty, inconclusive statements.
The above parragraph lacks sustainability, proof, or any other data sustaining what it says. The very first sentence is a joke! Believe me, I've seen documents presented by chemistry labs with similar statements! Just keep your mind open...
Here's a few things to take into consideration:

First of all, Jon works for a major corporation that designs sound gear that is used by professional musicians, recording studios, pro sound reinforcement and "hobbyist" musicians. As such, he has access to EVERY imaginable type of test procedure / test equipment / computer simulation product available to a company of that size & nature. He uses this equipment on a daily basis as part of his job of building & designing both electronic and acoustic based products.

Previous to doing this, he had worked for several other manufacturers in the audio industry. As such, he has over 25 years in the industry. On top of that, he is a degreed EE and a member of the Audio Engineering Society with published papers in their journal and several different patents to his credit. Needless to say, he is well educated in the field, has TONS of education and first hand experience with THOUSANDS of testimonials / posts of praise to his credit. If you want "science", rattle off some technical questions to Jon over at the "cable asylum" and see if he can answer them. I'm sure that he can give you more than your fill of terms like velocity factor, dielectric absorption ratios, conductivity in mho's, reactance at various phase angles, etc...

Don't get me wrong as i DON'T "worship" the guy. He simply has very worthy credentials and lives up to them.

Secondly, some specific "cable burners" DO work. Regardless of the claims, hype, lack of understanding, etc... the sonic results can be QUITE obvious. I do agree that the text used in that specific case is "mumbo jumbo" and could have been worded in a far better manner.

Finally, ANYONE can talk a good game. Con artists make a living out of doing such. Just because someone has "marketing skills" DOES NOT mean that they can support their claims or deliver the goods when called upon to do so. Just because one can talk the talk doesn't mean that they can walk the walk. Unfortunately, some of us have learned the hard way that some folks are more "charlatan" than "genius". Sean
>
This is getting into another subject, Sean...those guys are using that 'mumbo jumbo'--which they headline as a 'technical discussion' to sell a $649.00 piece of gear!

For that kind of money I can get the tonearm fluid damper for my Technics 1200 TT ($149), an Ortofon low output MC super 15 MK II ($225), a pair of Tekna Sonic C-10 fins for my JMlab speakers ($99) and still have money left for albums!

Crazy, isn't it?