6 Moons Reviews Zu Cable Definition Speaker

Srajan's turned over a new leaf. Check out his "Realsizing" series and any of the latest series on the lo-power, hi-eff phenomenon. The basic premise is "how can I minimize $$ without losing the musical message." He dumped his $5k Audiopax preamp for a $2k Modwright unit and sold his Audiopax mono amps. I'm pretty sure he sold his Avantgarde Duos too.

The basic premise is "how can I minimize $$ without losing the musical message."

With his new purchase, it appears that Srajan went off his diet.

Yeah, yeah, yeah....
IMO 6Moons is turning into just another Tout, whether intentionally or not. There's always something coming down the pike that's the greatest thing since sliced bread.

I auditioned the Gallo's after reading the "glowing" review - and pretty much wrote off 6Moons opinions as being incompatible with my own after that. But this review takes the cake - the guy's getting carried away - this is a rambling, self indulgent rant full of Zu publicity photos. And after reading it like 3 or 4 times, I still have no idea what these speakers are supposed to sound like. I'm sure they're very good, and a "real bargain" for $9,000. And just like Talons, some will love the sound and some will hate it.

And on a separate note - what's with these self-powered boxes being marketed as high efficiency, SET compatible now?!*&X??? Bull... If I put a 1000 watt solid state amp inside each of my sealed boxes, does that make my speakers "high-efficiency"? Now I only need an exotic one-tenth watt tube amp? I get it - so put the amps on the outside and you're speakers are power hungry, but put 'em on the inside and they're "S.E.T. friendly" !

Srajan is a good writer IMO, but you have to sift through a tremendous amount of technical hyperbola to get any discription of the sound. Did anyone see any review of music or particular tracks that gave examples of the speakers strengths?

Granted Part deux is on the way, at which time I hope he delves into the musicality of these speakers. I want to hear more about the imaging, soundstage (depth/width), air around the instruments, width and heighth of the sweet spot, transparency, how difficult they were to position and whether they're halographic. How do they handle vocals, piano, drums & guitar? He says they sound like a live performance... on the surface that tells me they are a transparent window into the peformance and instruments; however that's not the full picture, because I've seen live performances that sounded like walls of distortion. See 1980's indoor arena concerts for further details (Omni Atlanta).

Technology is great, so is innovation... but I'm most interested in how they sound in practical applications.

I'm obviously being curmudgeonly today, so one more thing, that Dawgbyte brought up - Everytime someone writes, "These (whatever) sound just like live music..." I want to groan. It's the most overworked, meaningless cliche in all of High End. As Dawgbyte was getting at, live music is generally a fun experience, the performers are interesting to watch and hear, and the communal aspect is nice - BUT THE SOUND QUALITY (from an audiophile perspective) SUCKS. Period! Good recordings at home are vastly superior as a pure Listening experience.
Equipment either reproduce accurately, or they introduce color - that's it. SO what does it mean to say a piece of equipment sounds "just like live"? It's a marketing hook that nobody seems to question, plain and simple. (IMHO, of course).